FEATURE: Fool’s Gold: Will We Ever See a Classic Pop Moment Again – or Does Nostalgia Cloud the Way We See Modern Music?

FEATURE:

 

 

Fool’s Gold

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PHOTO CREDIT: @rexcuando/Unsplash  

Will We Ever See a Classic Pop Moment Again – or Does Nostalgia Cloud the Way We See Modern Music?

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MUSIC is a truly subjective medium…

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 PHOTO CREDIT: @emmafranceslogan/Unsplash

and not one that imposes rules and absolutes. I am one of those people who are open-minded and do not like to constrict my horizons. That being said; I am not as ‘broad’ as I could be and do avoid some genres. It is hard with music, really. You try and embrace as much as you can but nobody likes every single thing that is before them and you overlook some things. What strikes me about modern music is how much choice there is available. I am stunned by the range and openness that means we can access pretty much anything – artists are splicing sounds together and there is endless choice. I am reading an interview the Beastie Boys gave and thinking about their regency. I am also looking ahead to next month and the fact a few Kate Bush albums are celebrating anniversaries. I am always pumped when legendary artists remain and continue to release work. I am also excited reflecting on the albums and songs I grew up around. The reason why I wanted to raise this article is down to the split between older music that I grew up around and what is available right now. I listen back to music of the 1980s and 1990s and wonder how far we have really come. In many respects; music is more open and the market is a lot more widespread. Artists who, decades ago, wouldn’t have been heard on the radio or discovered without a record label, in this age, are free to share their music and get it out to the world.

 PHOTO CREDIT: @sudhithxavier/Unsplash

One is amazed seeing how digital platforms have transformed music and what options we have now. I wonder whether that mass of newcomers has made it difficult to discover genius albums and wondrous songs. We all have songs we grew up around and, whether they were cheesy or cool, they have remained in our mind and are in our head. Popular music has no real scenes and clans the way it did decades ago. We do not have the Punk revolution or Britpop; there is no Beat Invasion and we have few of the communities that used to bond us. From those groups came defining anthems and works of brilliance that seemed to sum up the world or a particular group of people. Other masterful works arrived outside of those communities and the scene was more enriched and bold. I can recall a load of Pop classics from my childhood – by ‘Pop’, I do not mean a limited genre but what was considered popular. Whether a Madonna classic or a wonderful offering from Blur; a Beatles anthem or something from Destiny’s Child – I was spoiled for choice and was being brought up on new music and the stuff my parents listened to. We can all name those songs that scored our childhood and got us interested in music. Whilst there are great songs being released each week; when was the last time you heard a song that stopped you in your tracks and matched those classic songs from way back?!

Maybe The White Stripes’ Seven Nation Army is the last real anthem I can compare with the greats but that was back in 2003! I love music now but the Pop mainstream does not have the same icons of the 1980s and 1990s. So many tracks are written to appeal to the streaming generation and create something easy and uncomplicated. Maybe modernity and technology have made it impossible to create anything generations-lasting and fresh. I look at the Pop genre and there are some wonderful artists but nothing that gets into my head. Look around every other genre and, again, you get some stone-cold classics but the joy only lasts a certain time. Most of the music I listen to on a daily basis is from years back. I still hanker and hark back to the music I grew up around and that usually ends at the start of the last decade. If you had to do a list of the top-twenty songs of all time; how many ‘recent’ songs would be in there? The same goes for albums, too. We all know the classics but I wonder whether any record from the past decade would be anywhere near the upper leagues. Again; brilliant albums have come and every year sees some brilliant albums come through. Maybe one or two records from the past decade could make it into the top-fifty all-time albums but, again, most of the top-ten/twenty would be from the 1960s-1990s/2000s.

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 IN THIS PHOTO: Michael Jackson/PHOTO CREDIT: Getty Images

The Pop mainstream has always had some rather tragic artists plugging away but we had those icons like Madonna, Michael Jackson and Prince. I am going to write a piece about 1994 in a day or two and it is a year that amazes me. Not only did we get legendary albums from the likes of Jeff Buckley and Oasis but songs from around that time stay with me. Grunge was still (just about) around and there was great Dance music; female artists like Madonna and Tori Amos were leading the way and new genres were coming to prominence. I can rattle off a list of brilliant albums and songs from that year and I can name countless years where songs (from that year) have remained with me. How long has it been since we saw a Dance classic or a Pop anthem that will last through the decades?! Maybe it is too early to make a declaration but I think we are less interested in making anthems and genius albums. One can argue whether the album is dying – I do not think so but many people do not listen to them – but there is argument Pop music (whether a specific genre of the mainstream as a whole) is getting worse. Reports suggest Pop music is getting less fun and slower; there has a case of diminishing returns. This report, from 2012,

Reuters reports that researchers in Spain used a huge archive known as the Million Song Dataset, which breaks down audio and lyrical content into data that can be crunched, to study pop songs from 1955 to 2010.

The report says that a team led by artificial intelligence specialist Joan Serra at the Spanish National Research Council ran music from the last 50 years through some complex algorithms and found that pop songs have become intrinsically louder and more bland in terms of the chords, melodies and types of sound used…

"We found evidence of a progressive homogenization of the musical discourse," Serra told Reuters. "In particular, we obtained numerical indicators that the diversity of transitions between note combinations - roughly speaking chords plus melodies - has consistently diminished in the last 50 years…

 

The research adds that modern pop has a more limited set of sounds, and it offers advice to musicians saying that old tunes re-recorded with increased loudness, simpler chord progressions and different instruments could sound new and fashionable”.

You can say music has got stronger in many ways and there is a lot to love about the modern scene – even if there has been a change regarding Pop and its sustainability. I feel the fact we have opened the doors and created better access for unsigned artists means we are often not that focused and too busy trying to get to grips with everything coming through. How often do we stick with an artist and play the same song/album? Music, for the most part, is evolving but I feel some of the fun and quality has been lost. I have been spinning song great tracks from back in the day and maybe it is the production or the scene at the time but it pops and makes me smile. These tracks will remain with me until I die and I wonder how much music from the past decade will remain in my brain as I approach middle and old age. There is subjectivity at play but I wonder whether nostalgia and our natural inclination to reflect on ‘better days’ clouds our view of modern music.

Nostalgia can be good and makes us remember where we came from but, as this article shows; nostalgia can be unhealthy and does not allow us to appreciate the past:

Did you know that nostalgia was once thought of as an illness, a terrible malady that caused fever, stomach pain and even death? Sufferers of nostalgia were largely Swiss mercenaries who experienced symptoms after they were posted to the plains of France and Italy in the 18th and 19th centuries. They missed the mountains and the air and the St Bernards, and who wouldn’t have a funny turn at the thought of no more fondue and raclette?

Physicians – for doctors of old are always described as physicians, aren’t they? – put the peculiar condition down to demons before deciding that actually, it was caused by all the clanging of all the cowbells in the Swiss Alps. The cowbells damaged ear drums and brain cells and essentially sent people bonkers, you see”.

I do the same with T.V. shows and decades like the 1990s. We all tend to talk more about where we came from and how good things used to be as opposed focusing on what is good these day. Maybe music was better decades back but that is not to say the modern climate lacks inventiveness and potential. Maybe there are not the same sort of Pop classics and brilliant albums we grew up around but there are a lot of advantages and positive changes. The fact we have access to a lot of great new music means we are more educated and broader consumers than pre-Internet.  

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PHOTO CREDIT: @jontyson/Unsplash 

Do we all tend to get mired in nostalgia and want things to return to the past? Are we all becoming a bit tired and stressed with the modern world and want to reset the clock? 

“…And as a country we are gripped by a collective anxiety that the world was a much better place in the past, even if in the past it was touch and go as to whether or not you’d have electricity for a whole day and in the past women could look forward to a life of cooking and cleaning and hoping that the rubbish would actually be taken away. A YouGov poll earlier this year found that 71 per cent of Britons think the world is on the slide. You’ll know the usual complaints, because you’ve probably used them yourself at least once in the past month: our young people are no longer safe because of the rise of social media; the internet and smart phones have made us impolite and insular; it is only a matter of time before we are finished off by robots or climate change or designer babies or immigrants”.

Many people, myself included, think music was stronger years ago but I wonder about those songs that shout at you and obsess your thoughts. Is an overly-nostalgic viewpoint and subjective haze clouding our appreciation of modern music and making us too closed-off?!

I think there is some truth but I wonder whether we will see those songs we’ll recall and sing decades from now. There have been books published that ask where the Pop and Rock stars have gone. Perhaps T.V., film and other aspects of popular culture made some decades shine and means we have transformed a lot now. I have not given up on modern music or feel it is weak in any way. The industry has changed and it is harder for artists to cement a legacy and create something world-beating. Although many artists keep decades likes the 1980s fresh in their music; it lacks the same spark and authenticity as hearing it first-hand. Again; is that nostalgia blocking our receptors or is music weaker now?! I do wonder where the Pop anthem has gone and whether any album released in the last decade will, decades from now, rival the best twenty or thirty. I love modern music but ask myself why I spend most of my free time revising music from way back. I do not feel it is pure nostalgia and wanting to be somewhere happier and safer. For sure; the music I listen to holds fond memories and I can recall where I was when these tracks were unleashed.

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 PHOTO CREDIT: @nekotai/Unsplash

The Pop genre has lost some of its fun and melody; ultra-modern production and platforms have hindered a sense of organic and personal expression. I do think time itself and the march have technology have made music good in some ways – borders are open and there is more choice – but means, alas, we will never see music that hits us in the same way as the sort we were raised on. It is interesting weighting up that argument of fact vs. nostalgia and seeing whether there is an absolute truth. It would be stupid to say modern music is invalid and lacks soul because that is not true. I think a lot of its stems from the mainstream and what is promoted and how that is done. Even if you look at years like 1994, 1982 or 1967. These years are all vastly different and wildly eclectic. There were duff tracks festooning the charts but you had that variation to keep the mind active. I recall the great Dance music of the 1990s would be in the same chart and nook as Pop gold and Grunge.

There is more homogenisation at the top and the fact we do not really view the charts as a good indicator of quality shows has music has come on. Maybe changes will never come or we have gone too far to rekindle some of that fun and variety we saw years ago. I agree that music is a lot more challenging, open and broad than ever. We have opened the industry to unsigned acts and many things have improved. I agree nostalgia does cloud how we see things and can be quite intrusive. I think, mind, the reason why I am going to dedicate (yet ANOTHER) piece to 1994 and other classic musical years is because, sadly, modern music has lost a lot of its joy. In relation to the question I pose at the top of this piece; will we, alas, ever see a true Pop classic or album that can rub shoulders against the greats?! Having weighed everything up, and looking at the potency of modern music, I feel, in many ways, the very best and most fun days of music…

 

ARE way back in the past!

INTERVIEW: Verasect

INTERVIEW:

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Verasect

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THIS interview sees me talking with Verasect

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who discusses the new E.P., Sleep Stories. I ask what themes inspired the work and what the story is behind the single, Aeon – Tom Vera (Verasect) tells me which albums and artists are most important to him.

I was keen to know whether the E.P. was fun to put together and what music he grew up around; whether there are any favourite memories from his career so far; which artists he’d support on the road given the chance; how he chills away from music – he ends the interview by selecting a great song.

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Hi, Verasect. How are you? How has your week been?

I'm doing well. A lot of traveling for me. I've been away for London for a few weeks now. I was in New York visiting friends and listening to some upcoming remixes for the first time. Now, I'm down in West Palm Beach which sounds exciting - but I'm not a beach person at all. Or a daylight person, for that matter. But, I’ve had some things to take care of down here.

For those new to your music; can you introduce yourself, please?

I'm Tom Vera and produce under the name Verasect. The name is short for ‘veraciter sectari’ or ‘hunt the truth’ in the Latin. 

I'm originally from New York and was born out of the underground Industrial/Goth scene. I spent my youth stomping around East Village basement clubs but now that I'm older my music has moved in a more nuanced and emotional direction. My music is a mix of Darkwave, Synthpop, and Witch House with ethereal female vocals. I work with guest vocalists around the world but I write or co-write all the lyrics and vocal melodies, keeping a common narrative across all my music.

Aeon is out now. Is there a tale behind the song?

Aeon is based on a concept in the novel Ubik by Phillip K. Dick that I found incredibly strange and haunting. In the book, when you die you’re brought to a facility called ‘a moratorium’; revived and placed in a dream-like state. Your family and loved ones can come visit and ‘wake’ you up to talk via a headset.

But, the amount of time you can be awake is finite. It is used sparingly until you ultimately pass and can no longer be woken up. I read that book when I was a kid and that part always stuck with me. While it would be great to prolong life, are you just extending the pain for both side?! Aeon is about how it would be to have someone you love in that state of being between life and death. 

Sleep Stories is your new E.P. What ideas and stories inspired the music? Is there an overall arc/theme?

I've been an insomniac all my life, so I spend a lot of time in bed, staring at the ceiling lost in my thoughts. I keep myself super-busy during the day and am keeping lots of plates spinning but, at night, it's just you alone in the bed with the universe; past, present and future surrounding you.

While I consider myself an emotionally strong person, this is the time when I feel the most introspective but also the most vulnerable. So, whenever a thought or feeling would keep me up at night, I would try to form it into a song. I'd keep a notebook next to the bed and jot down ideas or lyrics. When in the studio, I'd use those notes as inspiration for songs which turned into this E.P.

Was it quite an enjoyable E.P. to put together? How quickly did the music form and cement?

I knew I wanted to do something different from my previous projects so I spent a lot of time exploring new sounds and techniques. I was really struggling but everything came together while writing Catch Your Breath and I knew I found the sound I was looking for. I wanted to finish the E.P. in a year and it took a bit longer than that. I can only write music when I'm in the mood and sometimes I need to walk away from music for a few weeks at a time.

Can you tell me what sort of music you grew up around? Which artists struck your ear?

I grew up on Industrial and Goth music. In high-school, I was the only kid really into that stuff but managed to drag some of my Metal and Punk friends to clubs in N.Y.C. There I was exposed to a lot more music and became friends with lots of local artist and D.J.s.

I tend to gravitate to older music. My all-time favorite band is Frontline Assembly - who are still putting out great albums after thirty years. For more modern Electronic music, I love The Glitch Mob and Jon Hopkins as well as a lot of female-fronted projects like Purity Ring, Chvrches and Grimes.

What do you hope to achieve by the end of 2018?

A remix E.P. should be done by the end of the year. I'm lucky enough to have two good friends who are experienced re-mixers in their respective genres: Tony Rohr for minimal Techno and Dobie for Trip-Hop. Ofdream also remixed a track - so talking to two more artists to complete it.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Probably the first time my music was played in front of a group of people, which happened in a bizarre way…

I had been producing for a few years and had a bunch of songs that I shared with friends but wasn't posting online or playing shows yet. Now, I'm at a big Fourth of July party at my friend's house with one-hundred-plus people. I was supplying music from my phone plugged into a P.A. system and stepped away so I put on ‘shuffle’. A few minutes later, a piñata comes out and I can get dragged over and blindfolded.

Just as I'm about to swing, I hear one of my songs start to play. I froze. It was like instantly and unexpectedly being put on stage, except I couldn't see anything which made it super-weird. I couldn't see anyone's face and gauge what they were thinking. I contemplated running over to turn it off but I just rolled with it and fuck*d that piñata up. When I took my blindfold off, I saw that nobody was revolted by my music and some people were actually enjoying it. Not a bad first gig.

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Which three albums mean the most to you would you say (and why)?

Skip…

If you could support any musician alive today, and choose your own rider, what would that entail?

Nine Inch Nails, definitely. Trent puts so much creativity and effort into their shows and would love to be a part of it. Also, their touring keyboardist, Allessandro Cortini, is a huge gear-head and would love to nerd out with him backstage.

My rider would be pretty simple:  fast Wi-Fi and Phish Food.

What advice would you give to new artists coming through?

Just do your own thing and stop trying to replicate other artists.  YouTube tutorials are great but it's hindering creativity and originality. Mess around, turn some knobs randomly and turn mistakes into something interesting.

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Do you have tour dates coming up? Where can we catch you play?

After the remix E.P. is out, I'm going to finish up another E.P. of original songs and play some shows in London. We'll see what happens after that.

Are there any new artists you recommend we check out?

Skip this - I don't know any new music (smiles).

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Do you get much time to chill away from music? How do you unwind?

I have quite a few projects outside of music so leisure time is rare these days. My other creative outlet is photography which I do casually and is more of a relaxing hobby for me. For exercise, I powerlift, longboard and play squash.

Probably my most interesting hobby is Shibari, which is Japanese rope bondage. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Everything Connected by Jon Hopkins 

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Follow Verasect

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TRACK REVIEW: After London - You’re So Cold

TRACK REVIEW:

 

After London

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PHOTO CREDIT: @kramerdoingbits

You’re So Cold

 

9.4/10

 

 

The track, You’re So Cold, is available via:

https://open.spotify.com/track/6mksUb1V7ocgnGOYp0Muqh?si=BBMG9OgMSr2cNUg2rfcLdA

GENRES:

Alternative-Rock; Punk; Alternative

ORIGIN:

London, U.K.

RELEASE DATE:

12th October, 2018

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WHEN thinking about After London

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PHOTO CREDIT: @kramerdoingbits

I get to look at bands and those working in the U.K. right now; how artists can change sound and keep on developing; competing in a heavy market and standing out; songs that mix in Punk and Psychedelic sounds; female-led bands and why I am particularly involved; getting all your social media considerations sorted and cemented; a little about how bands can translate live – I will end by looking at After London and how they can progress. I wanted to start by addressing bands that can start out with one frame of mind and then change to another. I am a fairly new convert to After London and what they are all about. The sounds they are putting out right now have plenty of energy and biting moments and there is something a little weird and tripping to be discovered. After London started as an acoustic band a few years back and they decided to ditch the acoustic guitars and crank up the volume. It is interesting seeing how artists can develop and evolve through the years. It would be interesting to hear some of the early After London recordings and the leap they have taken. I don’t think any band/artist comes into music with a set sound and has it all sorted out! They mould and develop; they keep pressing and pushing and they always look to see how far they can go. Most of these changes are not that radical but, in terms of After London, they have made quite a step in regards their tones. From acoustic sounds and something a little calmer, they have harnessed their inner-beasts and taken a sharp turn. That decision came a few years back and it seems like they have settled into what they do. I am always interested seeing how bands change things and whether they stick with what sounds right. By that, I mean artists often feel like they have the ‘right’ sound and are unwilling to bend and try something new.

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PHOTO CREDIT: @kramerdoingbits

After London are always moving and change between songs and they are not willing to stand still. The guys want to keep their songs fresh and original so that means taking risks and experimenting. I am a fan of what they are putting out now but feel, in a little while, they will be trying yet another direction and seeing what they are capable of. What is brilliant is how confident and assured the band sound. There is that connection and chemistry in the ranks and, with that, comes a large amount of trust. I am not sure whether songs are written by the whole band or their lead, Francesca, pens the songs. There is a democracy and definite bond in the band and you can hear how comfortable they feel around one another. If you have that respect and are on the same page; it is easier to mutate your work and push things forward. My overall point is how difficult it can be for some artists to alter what they do because they fear commercial failure or something will go wrong. I have heard a lot of bands, between songs or albums, try new stuff and genres and it can sound a little clumsy. After London are a comfortable and assured band who seem effortless and natural when they are writing meaty riffs or evoking something dizzying, acidic or romantic. You get so much love and life in the music of After London and I am impressed how far they have come and how accomplished they sound – I expect this to continue through the years and it will not be long until they are getting some huge gigs. There are so many bands out there and I can always detect the ones who will reign and shine for years to come; those who sound lacklustre and tired are often unwilling to amend their music and step into new territory.  

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 PHOTO CREDIT: @kramerdoingbits

After London stand out because they have great songs and, as I have said, they tweak what they do and they have changed quite a bit since their inception. You cannot just come into the market with good songs and expect to survive and be taken to heart. You need to provide more and consider every single angle. I feel a lot of artists do not realise how much work is required and what it takes to endure and resonate. After London have an understanding of the market and they make sure they take care of every single thing. Their sound is complete and original but you can hear shades of modern and classic artists in what they do. Little bits of artists like Anna Calvi come into the vocals/guitars and there are Punk shades; a few elements of other acts but, essentially, it is a band who are knowing of what they want to achieve and have forged their own identity. Getting their music and sound solid and focused is a hard thing to do and I wonder what discussions went on behind the scenes. I hear so many bands who change things up a lot and are still looking for their footing. It is tricky having something perfect and appealing right from the off and many artists take years to hit their peak. I feel like After London will move and continue to explore but they seem like they have hit gold. Apart from sounds and dynamics; you also have to consider your live performance and other factors. The band’s name, for one, strikes me and holds interest. I discover so many artists who have a forgettable name or something that is pretty ordinary. A lot of times, bands have rather silly names and it can be hard to connect with them. ‘After London’ is a great name and it makes you wonder where that came from. It may sound like a minor factor, but getting your name right and song titles standing out is vital. Alongside everything else, the band have a great social media outlet – as I shall explore in a bit.

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Another reason why I wanted to look at After London is the fact they have plenty of nuance and personal appeal. You listen to their songs and new things are revealed through time. Layers emerge and you spot stuff that was missed the first time around. I am not sure whether that is because they hone and practice a lot before hitting the studio or whether live performance have given them new edge and abilities. In any case; what you get is a band who keep coming to mind the more you play them. I look at publicity photos of them and you feel like there is a lot of cheer and love among them. I have not met them personally but I can tell they are a fun and hungry band. I love the photos they have out there right now but wonder if there are more shoots coming. The band shine from the page and you are attracted to their style and sense of pull. Maybe that is something that comes naturally to them but, when you mix it with everything else they do, you get the complete package. There is so much to consider and ask yourself when you come into music. It is a really challenging industry so you need to make sure you have everything figured and accounted for. After London have the ammunition to succeed and thrive and they tick all of the boxes. I am not sure what they have planned for the coming years and how they want to move forward but the guys are rock-solid and they have so much love for what they do. This all shows when you see them live or hear one of their songs. Everything pops and you are beckoned in by a band who wants to go a long way and have a lot more to say. The sounds they make, and how they mix genres, is a reason why I like what they do.

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I am hearing a lot of bands with Punk snarl but a lot of it sounds rather insincere and vague. Not that After London are all about Punk and that is their only genre; they have that in their locker and make their songs explode and shine. Listen to Ceremony Waits and You’re So Cold and you can sense that energy and spit coming from the front. One gets melody and colour with the band but it is the way they come out of the traps and the physicality they display that really gets to me. I feel Punk is a genre that is coming back a lot more and something that is grabbing the critical ear. We are living in a time when things are fractured and the people are divided. I am not sure whether things will get better and where we are headed but many artists are responding by creating something angrier and more electric. After London are concentrated more on personal endeavours and concerns but I wonder whether they will take in more political and social concerns for their future material. After London have a bit of attack and lunge in regards a Punk dynamic but they lace in something Psychedelic and fuse that with other genres. This is a combination that works really well and I would like to see more bands follow in their footsteps. I guess bands like The Wytches and a few others do this but it is quite rare. If the lyrics and vocals were quite unfocused and average then the sound would not count for much. As it stands; every facet and angle is great and the band has this brilliant foundation. They can talk about cold hearts and unwanted attentions and do so in a fresh and unexpected way. I wonder why Punk is making a comeback and whether political considerations are bringing this out of artists. After London bring their own blend and version to the party.

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PHOTO CREDIT: @kramerdoingbits

Before I move on to another theme; I want to stay with Punk and what it is capable of. It is an interesting and bold genre that has room for manoeuvre and you can get a lot from it. After London seem to tip their hat 1970s Punk and something raw but they mix that with a more modern version. It has some softness around the edges but you get that fizzy and busting sound coming from the centre. It is hard to put into word but you get an unexpected combination with After London. It is amazing how they have changed from this acoustic band that was very different to how they are now and how settled they appear now. The full force of their Punk movements comes to life in their live performances and this is another area where they succeed. I do not get to too many live gigs – for one reason or the other – but I am hearing great things about After London and what they can do on the stage. The band can create a storm from the stage and have been lauded because of their connection, powerful performances and sense of bond with the audience. It is clear they love what they do and they feel very natural on the stage. What you get from After London is a potent and varied live set and a memorable experience. The guys are tight and complete and they can replicate what they do in the studio to the stage. Rather than lazily copy that studio sound; they inject something different into their live show and provide the people with something a little different. It is amazing seeing how a band can sound different on the stage and how that varies to how they sound on record. I am trying to cover every angle regarding After London and what they are about. I must consider the makeup of the band and why that is important.

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 PHOTO CREDIT: @kramerdoingbits

Maybe it is not wise to highlight a band because they have a female member but the fact they are female-led means there is a different aspect to them. You either get all-male or all-female bands but those who mix genders tend to hit my hardest. I know there are quite a few female-led bands out there and each of them provides their own take and magic. The reason why I raise this point is you get something different in the composition compared to the vocal. It is hard to put into words but there is a different story and physicality coming from the back as there is the front. This gels really well and you get two-layered songs that stand in the mind. I am always on the look-out for female-led bands and female artists and do not feel like they get the credit they warrant. A female voice, to me, holds more potency and potential than a male one. Maybe it is something emotional or instinctual but I am a bigger fan of the female sound. Francesca does not follow others or feel the need to replicate male artists. She has own sound and blends perfectly with Bryon, Will; Jake and Alex. The entire band fuses brilliantly but it is the vocal and how they resonate that gets to me. More and more; I am hearing female-led Punk bands emerge and it is a very popular combination. I still think the industry pays too much attention to men and does not really consider women as much as they should. I have talked a lot about Punk and what After London do but I feel one of the reasons why they are so popular – no offence to the rest of the band! – is that female lead. I wonder how long it will take until bands like After London get Glastonbury headline spots and can succeed the men. It is a shame there is still this sexism and the music industry is still not as evolved and conscientious as it should be.

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I am keen to move onto a song but, before I arrive, I should explore that female tone and why mixed-gender bands are exciting. You get different emotions and sounds coming from the songs when you have men and women in the group. I am not saying there is a distinct ‘male’ or ‘female’ sound when you listen to music but I can detect a discernible shift between all-male and all-female bands. The writing, to me, seems to be more developed and intriguing when you consider someone like After London. The performance and sound is more varied and there is a lot more to get involved with. I do tend to find, especially with all-male bands, there is a lot of rivalry in the ranks and relationships can turn sour. I am not suggesting a mixed-gender band is more secure but there tends to be more harmony and diplomacy between them. After London sound pretty comfortable and happy around one another and their music has strengths and contours I have not found with other bands. I should stop talking about various sides to what they do and come to the music itself. They have released a double A-side single but I have decided to pick You’re So ColdCeremony Waits is the other side of the record. The band has been working hard and both songs sound incredible. They have different tones and stories and both have been played on the live stage. The reason I chose You’re So Cold is because it is a live favourite and I was interested seeing how it sounds when recorded in the studio. It makes me wonder where they go from here and what they have planned for next year. I shall explore their future and what is coming up in the conclusion but it is the right time to get involved with a great new song from After London.  

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PHOTO CREDIT: @kramerdoingbits

I wanted to concentrate on You’re So Cold (as opposed Ceremony Waits) because, to me, it leaps from the gate quicker and seem to have an edge. Punchy and bold drums get the track springing forth and, curiously, there is a little bit of the 1980s in the sound! Maybe I am thinking about the similarities between the first seconds of You’re So Cold and My Sharona! That may sound little a jab but it is actually quite cool! Soon enough, the song goes in another direction and, actually, there are still bits of other decades. When the heroine comes to the microphone, combined with squally guitars and cool shred; I detect a little bit of influence of 1990s Alternative and some older-days Punk. The lead talks about a subject who is cold and she seems to take pleasure in informing them of the fact. You are not aware, from the off, whether it is a man or a woman but there is a definite sense of edginess and mistrust. The band whips up a combination of Pop king and Punk grit as the track warps, hovers and vibrates into the stratosphere. Our heroine’s voice is alive and unleashed as she stretches words and makes other explode like a bomb. It is never too intense and violent but it also never lacks vibrancy and stun. The opening moments of the song are about that mantra: letting the anti-hero(heroine) know they are cold and ensuring that gets into their head. Before a verse has come; the band get you dancing and motivated with a scintillating and tripped-out composition. It is a catchy and springing sound that gets under the skin and pricks the imagination. The bass comes through and guides as the heroine asks their subject whether they are on her stage. I can hear the influence of Dream Wife and songs like Hey Heartbreaker in the way the words are projected and enunciated. There is a little bit of classic Punk and bands like Blondie; a bit of the great Psychedelic bands and some shades from the modern-day cannon.

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 PHOTO CREDIT: @kramerdoingbits

One can name artists that are influential to After London but it is their own skin and sound that defines what they are about. You’re So Cold is a song that gets in your head because it comes from them and nobody else could come up with it. So many bands go in with clichés and predictable formations. After London have something different in their locker and it is that fresh and original perspective that shines. The heroine asks whether they are fools (her and her lover) and whether they can provide what they promise. Maybe it is a straight-up look at a relationship that is going sour but I wonder whether something wider and more general is being presented. The vocal is constantly exceptional and changing as each line has a different sound and, before you know it, there is a violent scream or an exclamation you did not see coming. The song is always winding and twisting and that is down to the way the band combines. The composition remains fairly unobtrusive in the early phases but it brilliantly backs the heroine who is keen to get her words out and have her say. It appears things have gone wrong with someone she knows and that fall-out has been severe. After a rather physical and direct vocal; you get this zither/theremin-inspired guitar sound and it gives the track a spaced and cosmic aspect. What gets to me is how the two different worlds and sounds can fuse and sound natural alongside one another. The band never sound forced and everything hangs together perfectly. It seems like there used to be a bond and sense of connection between the two but now things have gone wrong. The villain has been cruel and burnt any chance of love; left the heroine feeling foolish and taken too many liberties.

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Inside of all of this; there is a hope things might last – she can be a horror and her lover can be a freak – but maybe that is clinging on to old memories. It is the way the words are presented and how the story comes to life that really gets to me. Always energised, emotive and stylish; it is a compelling and memorable performance that brings the song to life and ensures it stays in the brain long after you have heard it. When you hear the chorus and that sentiment of the other being cold; you wonder how things went wrong and what happened. I am interested unpicking the song and is roots but it seems like After London will not disclose all of their secrets. You’re So Cold is a brilliant song that sounds very modern and relatable but definitely has some of its D.N.A. in the past. The band are consistently solid and inspired and, backed by an incredible central vocal, you are compelled by every note of You’re So Cold. Maybe the Dream Wife comparisons are a little strong in some places but that need not be a bad thing. After London are a very different proposition and do things in their own way. If you want to discover a great new band that will stay with you and have the potential to go a long way then you’d do right to get behind After London. I am excited to see where they go next and whether there is more material in the pipeline.

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 PHOTO CREDIT: @kramerdoingbits

With a couple of new songs out, I am excited to see where After London can go and what they planning next. The new material they have out is amazing and it is already gathering airplay and positive reviews. I am not certain whether they have an E.P. or album arriving next year but there will be more material I am sure. It is great seeing them develop and how far they have come. Keep abreast of their social media pages for gigs and what they have arriving but I would recommend you catch them if you can. What strikes me about After London is how committed and determined they are. Their social media pages are great and it would be good to see yet more images and photoshoots from them. They are always keen to keep people updated and connected and I know they will continue that. They have a fantastic sound and clear bond and that is a reason why their music sounds complete and solid. That pace and energy will carry into 2019 and I feel they will continue to make steps and improvements. Bigger gigs will come and they will keep on building on what they do. I can see the big steps they have made and how their music has changed since the very start. If you have the opportunity to see After London on the stage then I would recommend that. They are getting gigs in London and around the South but I think they will get bigger gigs and have the chance to travel around the country. The band seem like they would be great in other continents and 2019 might provide that platform. Let’s consider where they are now and how good songs like You’re So Cold sound. You can detect how confident they are and how much love they have for what they do. This is great to hear and next year is going to be a huge one for them. Take a listen to what After London are putting out and get behind their next moves. I am a fan of their work and will be behind them as they move forward. Maybe they are in the underground right now but it cannot be long until they…

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 PHOTO CREDIT: @kramerdoingbits

ASCEND to the big leagues.

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Follow After London

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INTERVIEW: Nuela Charles

INTERVIEW:

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Nuela Charles

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I am ending today…

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by speaking with the Canadian artist Nuela Charles about her fantastic new E.P., Distant Danger. She talks about some of the themes addresses and who she worked on the E.P. with; what she hopes to achieve by the end of the year and which albums are most important to her – she recommends some artists to look out for.

Charles talks about how she got into music and where she is headed on tour; if she is coming to the U.K. at any point; whether she gets time to unwind away from music – the songwriter ends the interview by selecting a great track.

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Hi, Nuela. How are you? How has your week been?

Hiya. My week has been great so far. I just got back home and unpacked after four weeks on the road!

For those new to your music; can you introduce yourself, please?

Sure thing. My name is Nuela (pronounced new-ella) Charles. I’m an Alt-Soul artist based out of Alberta, Canada and I like to say that I sound like a soundtrack to a James Bond movie.

Can you recall when you made your way into music? Was there a time or artist that influenced that decision?

Music was always in our house growing up. My dad had an old acoustic guitar that he’d play. When I was around fourteen or fifteen, I started teaching myself how to play guitar after feeling inspired by artists like Avril Lavigne, Michelle Branch and Fefe Dobson seeing them playing on MTV and Much Music.

Which artists do you draw from most? Do you have particular favourites?

It’s funny, because the music that I listen to leans more to the Alternative/Rock side; artists like Nothing But Thieves, Arctic Monkeys; Reignwolf etc. – so my influences are pretty ranged. But, I’ve always thought Kimbra, Jacob Banks and Lianne La Havas were great and would continually see what they were doing.

 

Distant Danger is your new E.P. What sort of themes inspired the songs we hear?

This E.P. touches on relationships, but talks about the strength that comes in realizing your own self-worth and standing up for that - like in Troublemaker and Do It RightDanger is about taking a risk and stepping out of your comfort zone; even if only a little. 

Sugar might be one of my favourites because it talks about the worst parts of a relationship, but ultimately asks for the sweeter side. And, after all is said and done, even if your world is crumbling down; you need to get up and March On.

 

Did you work with different producers and writers on the E.P.? Was it fun putting everything together?

I worked with a few different producers on this project. Do It Right was one of the first songs for this project and was written and produced with the Grammy-nominated producer Rob Kleiner (Andra Day, Ceelo Green and Sia), while I was in Los Angeles. Danger was produced in Vancouver with Ryan Worsley (Dear Rouge) and the rest were co-produced by myself and production duo Towers in Edmonton, Canada.

It was fun being able to take the time moulding the songs into what they are now. I definitely pushed and we often went through several versions of most of the songs before we settled on the versions you hear on the record – and they’re better for it.

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What do you hope to achieve by the end of 2018?

The rest of 2018 is going to be a bit quiet as I look toward 2019. I look forward to playing more gigs and festivals in different countries and putting out more music. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

This past March, I was nominated for a 2018 JUNO Award for Contemporary Album of the Year - which is the Canadian version of a Grammy - so that was pretty amazing; being in a category with Michael Bublé is never a bad look. The event itself was amazing and it was my first time rocking a red carpet…although I definitely felt in my element!

Which three albums mean the most to you would you say (and why)?

Alanis MorissetteJagged Little Pill 

It was the first album I’d heard which made me think ‘You’re allowed to say that?!’ She was so raw and honest and it really resonated with me. 

Mariah CareyMariah Carey

This album taught me how to sing. Every song is a lesson in vocal control and it gives me life every time I hear it. 

And, most recently… 

Nothing But Thieves – Broken Machine and Nothing But Thieves

I know, technically, that’s four albums but their albums are some of the few that I can actually get through all the songs and keep on-repeat. It’s just so good - vocally, musically and lyrically. They’re actually saying something that carries weight (and they’re killer live).

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If you could support any musician alive today, and choose your own rider, what would that entail?

I would support Beyoncé, any time, day, hour or place. In regards to a rider; I’m pretty easy going. A masseuse would be rad, though. 

What advice would you give to new artists coming through?

I tell artists to learn the different parts of the industry so that you know what is expected of people when you hire them to work for you. Be knowledgeable, develop your craft; collaborate and be nice. 

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Do you have tour dates coming up? Where can we catch you play?

Currently working on booking some more shows for the New Year but I have two nights at the Citadel Theatre here in Edmonton in January.

Will you come and play in the U.K. at some point?

I will definitely come back to the U.K. I actually just got back from there where I played my first Sofar Sounds gig. It was amazing!

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 IN THIS PHOTO: Sam Fender

Are there any new artists you recommend we check out?

I’m always so bad with keeping up with new artists: I’m usually a year or two late. But, I’ve been loving Sam Fender, grandson and Grace Carter lately. 

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IN THIS PHOTO: Grace Carter

Do you get much time to chill away from music? How do you unwind?

Not much time to unwind, but Netflix and chill is always a safe bet. Especially, when I’m on the move – the familiarity is comforting. Even if it’s just on in the background while I’m working on the computer.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I just head the new Lukas Graham song, Not a Damn Thing Changed. There’s so much tension; I love it

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Follow Nuela Charles

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FEATURE: Lost in Translation: Is the Contemporary Music Scene Truly Accepting of Trans Artists?

FEATURE:

 

 

Lost in Translation

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IMAGE CREDIT: Sunshine Art

Is the Contemporary Music Scene Truly Accepting of Trans Artists?

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ONE of the reasons why I am interested in the rights of trans artists…

is because there is discussion online regarding greater equality - there are many other reasons why I want to explore this subject and look in more depth (musicians are often overlooked when it comes to talk about trans people). The hashtag #ComeOutForTransEquality has been trending and getting people talking. If you are not aware of what has been happening and why such discussion has been sparked; here is some background from DIVA:

In just two days, 108 organisations signed up to a full page advertisement in today’s Metro newspaper, promoting the hashtag #ComeOutForTransEquality – and now that hashtag has gone viral, trending on Twitter across the UK.

"I’m extremely proud that DIVA, together with Stonewall, has taken the lead on this,” Linda Riley, publisher of DIVA magazine said earlier this afternoon.

Since launching the campaign this morning, thousands of people – including well known public figures and celebrities – have taken to social media to share photographs of the ad page, comments, and messages of support – drowning out the small minority of people still attacking the trans community.

The campaign comes just days before a government consultation on reforms to the Gender Recognition Act 2004 close (read more about that here)”.

The deadline to respond to the Government’s GRA consultation has been extended to midday on Monday. There are many reasons to add your voice and have your say. Stonewall have added some information and you would be advised to visit their website to find out more:

The UK Government is consulting on vital new rights for trans (including non-binary) and intersex people. This could be a huge step forward for trans equality. It is crucial that the Government sees trans people and allies coming out in support…

Failure to secure these reforms would not just hold back trans people's rights, it would represent a major setback in our collective efforts to secure LGBT rights and equality.

That's why we need you to come out in support, get your friends, family and networks involved, and show that people across Britain support trans people’s right to be accepted and live free from hate”.

Before I go on, and if you need definitions and more clarification regarding transgederism, transsexualism and providing some background - so my words and the debates going on hold weight - here is some clarification:

“1. Transgenderism is an umbrella term for the state or condition of identifying or expressing a gender identity that does not match a person's physical/genetic sex. Transgender is independent of sexual orientation, and those who self-identify as transgender may consider themselves to be heterosexual, homosexual, bisexual, pansexual, polysexual, or asexual. Approximately 700,000 individuals in the U.S. identify as transgender.

2. Transgenderism differs from intersex, a variation in sex characteristics including chromosomes, gonads, or genitals that do not allow an individual to be distinctly identified as male or female. Intersex is a physical condition while transgender is a psychological condition. The vast majority of people with intersex conditions identify as male or female rather than transgender or transsexual. (The term “hermaphrodite” is now considered outdated, inaccurate, and offensive as a reference to people who are intersex.)…

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IMAGE CREDIT: Stonewall/Getty Images

3. The terms transgender, transsexual, and transvestite are not synonymous. Transsexual is a narrower term used to refer to people who identify as the opposite of their birth gender designation, regardless of whether they have undergone or intend to undergo hormone replacement therapy and/or sex reassignment surgery. A transvestite is a person who cross-dresses, or dresses in clothes of the opposite sex, though they may not identify with, or want to be the opposite gender. All transsexuals are transgender, but transvestites do not necessarily fall into either of the other categories.

If you feel like trans people - transsexual and transgender - in this country, and around the world, have the same rights as everyone else – and are treated fairly – then you need to do some research. I have been reading this article that gives some revelation, statistics and eye-opening realities:

If you picked up a copy of Metro on Tuesday, you may have seen an advert featuring over 100 organisations voicing their support for transgender rights. After Fair Play For Women placed an advertisement in the newspaper last week which for many felt like an attack on the transgender community, charities and publications across the UK have decided to take a stand ahead of an important consultation on reforming the Gender Recognition Act.
If you picked up a copy of Metro on Tuesday, you may have seen an advert featuring over 100 organisations voicing their support for transgender rights. After Fair Play For Women placed an advertisement in the newspaper last week which for many felt like an attack on the transgender community, charities and publications across the UK have decided to take a stand ahead of an important consultation on reforming the Gender Recognition Act….

Woefully out of date When the Gender Recognition Act became law in 2004, it gave trans people the right to have their gender identity legally recognised. But that Act, as transgender people and campaigners have pointed out, is woefully out of date. In order to legally change their birth certificate, trans people have to be diagnosed with gender dysphoria and endure a series of intrusive assessments over a two-year period where a panel of legal and medical experts determines their gender. They can only do this at the age of eighteen, and it costs £140 to do so. If we voice our support for a reformation of the Act through the Government’s consultation, which is being carried out until 19 October, transgender people will no longer have to undergo a time-consuming process that can take years in order to prove their gender…

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IMAGE CREDIT: Getty Images

This could also help non-binary and intersex people be treated with the respect and dignity that they deserve. Yet in spite of these common-sense reformations, this consultation has evoked a toxic and harmful debate. The trans community are frequently attacked online, while their identities are questioned in the press, whether that’s pieces suggesting that there has been a trans “explosion”, or that trans teenagers are taking part in “an experiment”. Attacks on trans people can have a devastating impact. Roughly 45 per cent of trans teens in the UK attempt suicide, and hate crimes against the community have risen by a third in the past year alone”.

There is a lot more awareness when it comes to the L.G.B.T.Q.I.A. community and what many people have to ensure. There are Pride flags proudly adorned and yearly Pride festivals raise awareness and create unity. I know a few artists from the community and, whilst things are improving and conversation is happening; they are not afforded the same rights and privileges as other musicians. Sexuality and sexual identity should not dictate how people are treated – the same way race and gender should never be an issue. That sounds rather naïve but there are fantastic trans artists out there who are not as visible as one would hope. It is not their fault at all.

Look at the mainstream and industry as a whole and how many L.G.B.T.Q.I.A. members does one hear on the radio and see adorning the cover of magazines?! There are great articles out there that highlight trans artists carving out their own niche and showing their colours. I will bring in a great study that asks whether trans artists have visibility and rights and, as I end this piece with a selection of songs from trans artists,  there is no real difference in sound. One gets this rather false impression that trans and L.G.B.T.Q.I.A. artists will always sing about their sexuality or they’ll be camp; it is all going to be rather atonal, unusual and inaccessible. If you have the mindset (that trans artists) will be second-rate cabaret performers who cannot rank alongside other musicians then you would be wrong. From ANOHNI to Ezra Furman (who, to be fair, identifies as gender-fluid) through to Mina Caputo and Laura Jane Grace – the songs being performed as are ordinary, striking and popular as any others out there. Perhaps there are trans artists talking about their struggle and fight but most of the trans artists I have heard are singing about the same sort of thing as their non-trans peers. This raises a couple of points. One wonders whether there are trans artists in the underground who are not being let through and are expected to blend in with others.

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 IN THIS PHOTO: ANOHNI/PHOTO CREDIT: Ryan Pfluger for The New York Times

Maybe trans artists who we all know are reserved about projecting a true message because they feel it will be detrimental and damage their careers. I also wonder whether the scene is not accommodating of trans (and L.G.B.T.Q.I.A. artists) performers who want to document their sexuality, changes and souls. I would like to see more trans artists promoted and highlighted – not in a pandering way but to celebrate what they do and ensure there is greater awareness and acceptance.  There are articles and think-pieces out in the press, such as this from The Independent, that highlights realities and how now, after so long, we are starting to make changes and offer equality for trans people:

People suffer when their gender is not recognised by law, or when the government sets boundaries that define their gender. When something is in law it is “normalised”. It’s a reassurance that equal rights will be given and prejudice is the abnormality.

That’s why same sex marriage and every other fight for equality was crucial. The law must see us and recognise us as the people we are. Concerns can still be raised – equality doesn’t mean silence, but our laws should protect people who for too long have been forced to remain invisible. Let people be who they are. Today”.

I understand there are artists out there who identify as trans and are happy in their skin but there are a lot who are changing their style and holding back because they want to fit into the music industry – and not risk being judged our outcast. It is rare we see openly gay artists being acclaimed and revered and, although there are many L.G.B.T.Q.I.A. artists in music as a whole; there are relatively few in the mainstream and, if there are more, I wonder whether, again, they are hiding their true desires – talking about sex and their struggles without disguising it – and allowed to freely express. I wonder whether we still have a long way to go with regards L.G.B.T.Q.I.A. artists and whether we are aware of the fact there are trans artists out there who are being overlooked. In an industry where women still are being ignored and having to struggle for equality; is this discrimination and sexism a reason why trans artists are less visible and assimilated as one would like?! This essay, from Sarah Bartolome, published earlier this month, gives fascinating insight into the music industry and trans artists:

Of the nearly 900 artists nominated for Grammy awards since 2013, only 9.3 percent were women. Only two percent of music producers were women. Since the award’s launch in 1974, only six women have been nominated for a Grammy Award Producer of the Year. No woman has ever won the award

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IN THIS PHOTO: Laura Jane Grace/PHOTO CREDIT: Getty Images

Yet while the underrepresentation of women in the music industry is startling, the conversation regarding gender disparity in mainstream popular music completely overlooks one particular group of missing musicians: those who identify as transgender or non-binary.

It is true the individuals in the transgender community have increased visibility in many public arenas. In politics, Danica Roem made history in November, becoming the first openly transgender individual elected to the U.S. State Legislature.

In sports, transgender athletes such as Harvard University swimmer Schuyler Bailar, U.S. duathlete Chris Mosier, American cyclist Jillian Bearden, and MMA fighter Fallon Fox have public profiles.

In Hollywood, Jaime Clayton (Netflix’s Sens8) and Candace Cayne (ABC’s Dirty Sexy Money) have joined Emmy Nominee Laverne Cox (Netflix’s Orange Is the New Black) as successful transgender actors who portrayed recurring characters on popular television shows”.

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PHOTO CREDIT: @mrs80z/Unsplash 

It is rare to see an L.G.B.T.Q.I.A. artist win an award or being represented the same way as anyone else in the mainstream and, for trans artists, there is that similar lack of visibility. Maybe it is unfair to say they are deliberately and systematically marginalised but I feel there is a bit of an ignorance and lack of understanding. Might we ever see trans musicians being acknowledged fairly and given the freedom to integrate into the scene naturally and without barriers?

“…And yet, we have seen little mainstream success for transgender popular musicians. To date, no openly transgender musician has ever debuted on the Billboard Charts or won a Grammy Award as a popular music artist.

Some may attribute a lack of visible trans musicians to a dearth of performers competing in the industry. In reality, there is a large community of trans musicians actively creating and performing music, highlighted by Billboard and PBS in recent features on trans and non-binary musicians.

Another explanation for the absence from mainstream recognition may be that it is difficult for trans and non-binary musicians to find a place in the male-dominated industry. Research has shown that males have more negative attitudes towards transgender individualsdemonstrate more anti-transgender prejudice, and are more concerned with transgender women in female bathrooms than their female counterparts”.

There is, despite the comparative lack of trans artists in music, hope there is improvement and discussion. Although trans musicians do not suffer the same bullying and violence as trans people in other areas of society; I feel many are unafraid to discuss what they want in their lyrics and discuss their lives in a very unabashed and unedited fashion. Whether transsexual or transvestites; these are artists who have a critical voice and have a lot of value. Their voice and stories can act as guidance and inspiration to those in other parts of the world; people who are being ignored and assaulted; those who are afraid to come forward and feel like they will be judged. Some artists, like Laura Jane Grace, have sparked discussion and have not faced an immense amount of backlash:

Punk rock band Against Me!’s lead singer Laura Jane Grace came out as transgender in Rolling Stone in 2012 and continues to be a vocal trans advocate, openly discussing her difficult journey.

Fans did not abandon the band following Grace’s public transition: In 2014, the band found its way back to the Billboard charts with the critically acclaimed album Transgender Dysphoria Blues. Their 2016 album Shape Shift with Me also peaked at number 6 on the Billboard charts

D. Smith, who earned a Grammy Award credit for producing the track “Shoot Me Down” on Lil Wayne’s Tha Carter III, Rap Album of the Year (2009), came out as transgender in 2016. She did a short stint on Season 5 of VH1’s series, Love and Hip Hop: Atlanta, using the opportunity to educate the public about the trans community. She released her first solo single, “I’m That Bitch,” in 2016”.

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PHOTO CREDIT: Getty Images/Press 

I feel the music industry, as it is, is not as open and borderless as it could be. I know there are trans artists out there but the lack of voice at the top of the industry is not surprising. Consider how hard it is for women in music and how many L.G.B.T.Q.I.A. artists feel like they are not afforded the same oxygen and rights as others. Visibility, great discussion and social media campaigns like #ComeOutForTransEquality are assisting in raising awareness and helping change come about. I hope the Government does more to protect trans people and they are allowed to go through life with the same rights as everyone else. The violence, hatred and discrimination many (trans people) face is alarming and I feel music has a role to play. There are trans actors who are active and vocal but we have fairly few musicians who are being given the platform on which to speak and have their say. The essay I have been quoting does raise a good point regarding recent changes and how equality might be in sight:

 “The recent rise in visibility of transitioning musicians may pave the way for openly transgender and non-binary musicians to enter mainstream popular music. Further evidence shows that trans voices are emerging from the margins and stepping into the spotlight….

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 IN THIS IMAGE: Shea Diamond/IMAGE CREDIT: Billboard

North Carolina’s Moogfest announced its 2018 lineup which will feature exclusively female, trans, and non-binary musicians. One Voice Mixed Chorus in St. Paul will host the Transgender Voices Festival in April, a gathering designed to “offer a space for transgender and gender nonconforming (GNC) singers across musical genres and cultures to explore our voices and identities, grow as artists, and learn techniques for voice care”.

I hope changes come in fast and here, in the U.K., the Government will offer greater rights and protection for trans people. We should not feel like we have to normalise and integrate trans people as they are part of our society and there is nothing different about them. By this; I mean they are like you and me and it is ridiculous and insulting they should suffer any abuse. In music, I am aware of some trans artists emerging and having their say but there is a way to go. I would like to see more discussion and interviews; greater awareness and highlight of these artists. Not so they are made special and isolated but show how important their voices are and allow them to write and perform as they feel natural. There is a way to go, sure, but I think change can happen and we can, in years to come, see an industry that is open and accommodating of trans and L.G.B.T.Q.I.A. artists. We need, in general, to see greater equality in the music industry and we all know what needs to be fixed. I feel many trans artists are being held back and fighting hard because women are being ignored; because things are too rigid or maybe it is something else. These changes will not happen right away but the activation, discussion and unity we have seen surrounding #ComeOutForTransEquality leads me to believe rights for trans people/musicians will come…

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PHOTO CREDIT: Stonewall/Getty Images 

BEFORE too long.

INTERVIEW: Tom Boy

INTERVIEW:

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Tom Boy

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THE guys of Tom Boy

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have been talking with me about their new track, How to Become a Drug Dealer, and what its story is. I was eager to know about their previous project/incarnation, CAIRO, and why that ended; whether there is more coming up for them and whether they will be hitting the road anytime soon.

Nate and Dante talk about their influences and reveal which albums are important to them; the rising artists we need to get involved with any how they spend time away from music – they end the interview by each selecting a great track.

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Hi, Tom Boy. How are you? How has your week been?

We’re fine. This is fine. (See: GIF of dog calmly sitting in burning house).

For those new to your music; can you introduce yourselves, please?

We are a smack-talking Synth-Pop band out of Toronto, Canada. We love washed-out guitars, reverb-soaked vocals; punchy synth and forgetting things on airplanes.

You had a previous project (CAIRO) that ended. What was the reason behind that?

Ummm…so…ok, ya. No, but, um. Well…errr. The thing is you tour, you get lonely; you meet amazing people. Ok, wait. This is starting to sound like a line from Almost Famous. The truth is that there was an affair (or two). And they involved members. Things got messy. Feelings got hurt. Grudges proved immoveable. At a certain point, we weren’t all on the same page so we moved on.

How to Become a Drug Dealer is your new track. I believe it holds personal weight. Was it hard putting the song together?

We started writing that track when we were still in CAIRO.

I think the lyrics may have been hard for certain members to swallow but it almost seemed like a penance. When things ended and Dante and I formed Tom Boy; I knew I had to take the song with me because of its powerful lyrical content. The song means a lot to us and sort of serves as a reminder about what not to do in the future.

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Do you think those bad days and addictions have made you stronger people now?!

In a way, perhaps. Our bullsh*t-meter is definitely more attuned now. We fell prey to a lot of the trappings you hear about in the music industry. But, we are much clearer in our vision and goals as we move into this next phase of our careers. Physically speaking, our bodies are like eighty-year-olds, though. Haha. Dante can’t go running without having an allergic reaction and I break out in hives when someone offers me soda.

Might we see more material coming soon?

For now, we are playing the singles game. There is definitely some stuff in the pipeline. We just had a really fun time shooting our next music video in New York and we’re looking forward to a few more releases over the winter/spring.

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What do you hope to achieve by the end of 2018?

To remind people we aren’t dead. Yet. 

In that same vein; do you have plans for 2019 in terms of what you want to accomplish?

We want to get in front of audiences again. The new songs are up-tempo, adrenaline-fuelled tracks that answer a lot of the questions our fans might have had when we disappeared. The story is compelling and it’s going to be really fun to tell it on stage.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

We were given the first mention by CBC’s Best Albums of 2015. That was after one of the best tours we had driving across Canada. We were in turmoil. But we were family.

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Which one album means the most to each of you would you say (and why)?

Nate: Radiohead - OK Computer

Simply for the fact that the first time I fell stupidly in love (and it didn’t end well) I listened to Let Down on repeat like a SAD BOY.

Dante: Nas - Illmatic

I have been listening to it since high-school and it is a perfect album with hardly any features. Just raw, lyrical magic.

If you could support any musician alive today, and choose your own rider, what would that entail?

Zola Blood (London). Dante likes his quinoa bowls (he’s trying to do better) and me, well…I honestly could live off of Skor bars and whiskey. We’re not as complicated as we sound.

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Can we see you on the road this year at all?

I hope fuck*ng so.

What advice would you give to new artists coming through?

Treat everyone like they might hold the key to your career one day. They will.

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 IN THIS PHOTO: Zola Blood

Are there any new artists you recommend we check out?

Zola Blood, Kiasmos; Vypers, Jeremie Albino; Colter Wall, Ginla; New Fries and Raveen.

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 IN THIS PHOTO: Jeremie Albino

Do you both get much time to chill away from music? How do you unwind?

Edibles.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Nate: Zola BloodInfinite Games

Dante: Noah GundersenCigarettes

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Follow Tom Boy

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FEATURE: Sisters in Arms: An All-Female, Autumn-Ready Playlist (Vol. XIII)

FEATURE:

 

 

Sisters in Arms

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IN THIS PHOTO: IMAN 

An All-Female, Autumn-Ready Playlist (Vol. XIII)

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THIS weekend…

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IN THIS PHOTO: Rookes

is another settled one and the sun has already made an appearance! There is a bit of an autumnal chill in the air and we are never far from a reminder that the season is changing. I am hopeful it will stay warm and okay for a while but you never know how things will go and how quickly the weather can change. In any case; I have looked around the treasure chest of new music and collated some songs that summon the contrasts and colours of autumn. If you need that mix of calm and soft and the more heightened and hot then this is the right playlist for you. Have a listen to all the assorted gems that are female-led and seriously accomplished. It shows, as I keep saying, women in music are creating something tremendous and long-lasting. This is a playlist that not only throws together autumnal shades but highlights some of the very best female artists…

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IN THIS PHOTO: Bahari 

IN the music world.

ALL PHOTOS (unless stated otherwise): Getty Images/Artists

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Janette King (ft. Jordan Esau)I Need Love

 
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PHOTO CREDIT: Gabriel Hyden

Leyya Wannabe

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IMAN L.O.V.E

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Mae MullerPull Up

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PHOTO CREDIT: Dawncast

Izzie WalshKitchen Table

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Bahari Chasers

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PHOTO CREDIT: Ben Mcconnachie

KAHLLACome with Me

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Cher LloydNone of My Business

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Maggie Szabo (ft. No Class)Wide Awake

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PHOTO CREDIT: @kpcaptures

Bessie Turner Nino

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Etta BondLove Me Up

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Sasha SloanChasing Parties

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Liv AustenNothing Less, Nothing More 

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PHOTO CREDIT: Shervin Lainez

Delta RaeHands Dirty           

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PHOTO CREDIT: The New York Times

Kelly Lee Owens Bird

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PHOTO CREDIT: Chazz Adnitt

Nubya GarciaRed Sun

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Summer WalkerPrayed Up

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Tina BoonstraFind You

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PHOTO CREDIT: @anthonydeeying

Ariel Beesley - Mine

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Julie Bergan U Got Me

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Nat Conway So Loud

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Hanne MjøenSounds Good to Me

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Empress OfTimberlands

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Lara SmilesZombie

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Bitch FalconPrime Number

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RookesThe Heel of My Hand

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Poppy AjudhaWhite Water

FEATURE: The October Playlist: Vol. 3: I Treasure My Body Fat, Sir!

FEATURE:

 

The October Playlist

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 IN THIS PHOTO: Sampha/PHOTO CREDIT: Complex

Vol. 3: I Treasure My Body Fat, Sir!

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THIS time around…

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 IN THIS PHOTO: Neneh Cherry/PHOTO CREDIT: Kim Hiorthoy

I have compiled a great assortment of new tracks that unites the best of the mainstream with those underground, lesser-heard artists. It is another varied and interesting week for music that sees heavyweights like Thom Yorke, Neneh Cherry and Sampha line up against those artists you might not be familiar with. Given the fact autumn is upon us and things are a bit changeable; sit inside, get the music cranking and let the sounds wash over you. It is a great week for discoveries and gems; a banquet of music that sees some rather tasty treats come to view! Have a good listen and I am sure, once you make your way through the playlist, you’ll agree that it is a really strong and compelling week for new music.

ALL PHOTOS/IMAGES (unless credited otherwise): Getty Images/Artists

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SamphaTreasure

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How to Dress Well Body Fat

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Friendly Fires Heaven Let Me In

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Editors – Cold

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Blur 

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Lennon StellaBreakaway

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Rae Morris Dances with Character

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GIRLIYoung

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Julia HolterWords I Heard

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Thom Yorke Hands Off the Atlantic

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Billie Eilish when the party’s over

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Isaac Gracie Show Me Love

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The 1975 It’s Not Living (If It’s Not with You)

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Anna PancaldiPeace

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Cher Lloyd None of My Business

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Mumford & Sons - Guiding Light

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PHOTO CREDIT: Lottie Turner

IDER Mirror

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PHOTO CREDIT: Corinne Cumming for DORK

Nothing But Thieves Gods

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Rachel Platten You Belong

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Zara Larsson Ruin My Life

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Elle King Shame

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Greta Van Fleet Age of Man

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PHOTO CREDIT: Dean Chalkley

Richard AshcroftThat’s How Strong

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Neneh Cherry Natural Skin Deep

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Daniel CaesarWho Hurt You? 

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Tove Styrke - Vibe

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Au/Ra Ultraviolet

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Carlie HansonToxins

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PHOTO CREDIT: Daniel Alexander Harris

Novo Amor Sleepless

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PHOTO CREDIT: Darren Skene

Emmi Scared Stupid

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Jessie Reyez Saint Stupid

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Brandi Carlile (ft. Sam Smith) Party of One

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PHOTO CREDIT: Chris Driver Photography

Bessie Turner Nino

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Lil Peep Cry Alone

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Ferris & Sylvester Burning River

TRACK REVIEW: Anna Pancaldi - Peace

TRACK REVIEW:

 

Anna Pancaldi

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Peace

 

9.5/10

 

 

The track, Peace, is available via:

https://open.spotify.com/track/6X0GG8hBMOimNSq5a0CnjA?si=IFxhdMTNQ32e_w38DZBsqA

GENRES:

Pop/Indie

ORIGIN:

London, U.K.

RELEASE DATE:

19th October, 2018

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THIS time around…

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there are a few things I want to cover and explore. Anna Pancaldi is an artist I have been watching for a while and I have seen her career develop. I want to talk about musicians who develop and sounds that are varied; those who can get attention from a variety of sources and have that width; getting your music played in the U.S. and on T.V. shows; those who can go a long way and succeed in a tough industry; where Pancaldi might go and what she can achieve. It has been an exciting last year or two for Anna Pancaldi. I have watched her bloom and blossom and she is establishing herself as one of the best young talents around. You get artists who stick with the same sound and can be quite rigid. That is good if you have a golden sound and have established yourself in that niche. What strikes me about some is that they cannot see any reason to push what they do and evolve. Pancaldi started strongly and came into the industry with a bold and accomplished sense of herself but she has grown and developed since then. She is someone who has gained backing and fan support but is keen to investigate new areas and she how she can go. Soulful and heartfelt songs like Brother and Keep on Keeping On set the bar and showed us what Pancaldi was capable of. What I’ve Become was and is a bolder song that takes things in an Indie-Rock direction. Peace is another step and development that incorporates the more Rock-inspired vibes of her recent work and adds in Soul and Pop. It is a complex brew that keeps her core and foundations strong but brings in new elements. I love songwriters who take risks and do not stick with the same sounds. Changing things up and widening your horizons is a great way of winning new fans and keeping your material fresh.

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The reason why Anna Pancaldi is evolving and looking at new areas of sound is because she is a curious artist. What amazes me is how she can go between genres and switch sounds and keep her personality intact. You know every song is from her and it has that distinct stamp. I see this soulful and spirited dynamic come into the music and it means Pancaldi is steps above many of her peers. A lot of the new music I get sent tends to be quite calm and unadventurous. You know a songwriter is trying to be passionate and personal but the music is somewhat unengaging and unambitious. Pancaldi gets off the blocks but always ensures every note and suggestion is meaningful. She takes care to bring her words to life and write sensational compositions. The way you grow your fanbase and get under the skin is because you keep taking risks and pushing things. Maybe ‘risks’ is not the word for it: perhaps ‘evolution’ is a better one. Every songwriter starts out with an impression of what they want to create and how they want to sound. They are inspired by artists they grow up around and love and then, you’d hope, they stretch and expand. They might retain some of that older sound but then they get out of that mindset and put their personality down. Too many artists are unwilling to step forward and do what is required. Maybe it is a fear of losing fans or not being able to fit into the mainstream. I do not know what it is but I am always drawn to those who keep things moving and change between songs. Pancaldi started out with a distinct and impressive sound and now, a little way down the line, she has grown and introduced new colours. I wonder where she will go next and how things will change. Every move she makes and every song she writes has its own look and you can sense this songwriter unwilling to stand still and repeat what came before.

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I am also draw to those whose music seems to attract different radio stations. I am a big fan of BBC Radio 6 Music but feel it is hard for artists to get attention from a different variety of sources. Many artists can get play from BBC Radio 6 Music but it can be difficult getting that same focus from BBC Radio 2. There are some who can take that even further and get focus from BBC Radio 1. Anna Pancaldi has been played by some of the biggest stations out there and it is not a pitch for commercial success. I can tell some artists deliberately write a way so they can appeal to these stations but, for Pancaldi, this is natural. She is not an artist who is Pop-obsessed and pitches to a certain demographic. Whatever she puts onto the page has that wide-ranging appeal and variation. She can attract and entice those who want a more mature and emotive song but also get into the minds of the cooler and more youthful audience. Now, with Peace, she can take that even further and attract even more stations. I do think radio focus is important and is the most effective way of getting your music to a large audience. Social media is great but there is nothing like the radio for hearing that new favourite artist and having that immediate impact. It is the decades-lasting form of marketing that can bring the artist directly to the fan. Anna Pancaldi works hard and promotes what she does but her natural talent seems to resonate with a huge audience. As we step into 2019; I feel she will keep on the same lines, sound-wise, as she is right now; retaining that mixture of pressing with the more soulful. There are so many songwriters out there and it is a very challenging business. Pancaldi has already negotiated that tricky step: getting her music heard on national radio and gathering that impassioned fanbase.

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Before I talk about T.V. and how music can translate there; I will stay with radio and how impactful it is. I listen to radio every day and do not limit myself to one option. You can discover artists you will not find on social media by listening to radio and, unlike social media, you hear their sounds and there is something much more natural and effecting. I can understand why Anna Pancaldi has grown into this popular and loved artist and how her music has got into the national mindset. She is still in the early stages of her career and can see her popularity grow. What moves me is how she continues to diversify and push herself, even though her music is established and popular. Many songwriters, once they get the love of radio and have that set sound, do not really make efforts to do anything more and can keep going down the same line. I can understand how artists would merge and form their sounds based on the demands of radio stations and how they can get a bigger audience. Pancaldi has always been natural and led by instincts. The relationship she has formed with radio stations has formed in a more personal and less commercial way and that is a reason why I am a fan of her. I will end the review by speaking about Pancaldi’s future and where she might go; how she will develop and where her career can take her. There are many who can get their music onto national radio but fewer who get their material played on T.V. It is a great time for her and so many eyes are cast her way. Radio stations have already jumped onto her music and love what she does but she has also managed to reach international T.V. sources. If you can broaden your horizons and get onto T.V. then that opens your music up to new possibilities.

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Pancaldi is a British artist but she has got a lot of kudos from the U.S. She made her live T.V. debut on CBS and her music has been featured on the U.S. show, Famous in Love. Pancaldi penned a song for Levi as part of their Lot 700 jeans collection and got her music played on the accompanied advert. Pancaldi, oddly, has her own brand of gin and seems to have that business mindset. Not one to stick with one theme and limit herself in creative terms; she has got her foot in different waters and is always looking for that next project. I love the fact Pancaldi has her own gin and she wants to broaden her horizons. I am not sure whether that move was because she is a gin fan – in a non-drunken way – or she is always curious what she can do and achieve. Her music, as I have shown, has won the heart of national radio stations and it cannot be too long before film directors and producers come her way! I feel like Pancaldi’s music has the ability to score a big drama or a cool Indie film; get under the skin of those watching a cinematic treasure – who knows how far she can go! Getting your music on T.V. shows might seem like a minor accomplishment but I think it is a big step. There are very few who can boast that and there is a whole new world waiting for you. It is strange to consider but the same song can have a different impact when played on the screen (as compared the radio). If it is played at the right moment then it can be hugely effecting. I am not sure whether Pancaldi has had her music played on British T.V. but I can see that coming. I do not know how she managed to get her music played in the U.S. but I am sure it is her determination, talent and constant hard work that made that happen. The U.S. market is a huge one and I hope that success continues to rise.

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All I have mentioned before explains why Anna Pancaldi has got success and foundations. She is a rising artist who has worked on her material and always considers how she can make it stronger. Since working alongside Matt Ingram (Florence + the Machine, Laura Marling); her music has grown and there is fresh confidence in there. Pancaldi has evolved and, as I said, is not someone who sticks with the same sound and dynamic – even if she is popular and her music is connecting with people. Electric guitar and something more thrilling is covered on her latest track, Peace. I will look at its themes and story but it is interesting to see how her sound has grown and how Pancaldi keeps plugging and experimenting. I have been talking about her T.V. success and I feel her latest revelation will get some more focus. I can imagine Peace being played on a U.S. show or a British drama. It is an exciting and busy time for Pancaldi and I know she will continue to work and share her music. There are not many who have the same work ethic as her and have that attitude. Not only is the music from her exciting and exceptional but the person behind the songs is thrilling. So few songwriters have that intriguing personality and seem to draw you in. Many times, I listen to a song and never really get curious about the artist who penned it. Maybe that is my problem but I want to feel connected with the songwriter and feel like they are writing music for me. Pancaldi is someone who is strong and resilient in her songs but you can sense a sensitivity and a complexity. She always wants to involve the listener in her sounds and take them along with her. Rather than write about something that means something to her and does not translate; the music is designed to connect with everyone and bring fresh faces in.

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There are a load of artists out there and you are spoiled for choice. I have been in music for a long time and seen so many great artists come through but there are those who stay in the mind a bit and then disappear. Few really remain for years to come but that is not their fault – the industry is busy and hectic and it can be tough retaining the sounds. Anna Pancaldi draws me in because she has an incredible style and sound; her lyrics seem to speak to the masses and you are involved and hooked by every note! Maybe this is one reason why radio and T.V. have come her way. I look back and can see what a great 2018 she has had. There have been great songs and revelations; Pancaldi is looking ahead and seeing what comes next. Given the fact she has taken her sound in a new direction and exploring fresh territory; it seem next year will be a very exciting one. I am not sure whether new material is coming soon – I shall explore this in the conclusion – but I know the songwriter will look in new directions. Peace is a sign of where she is now and where her creative mind is. I wonder whether she will continue down this road or make another sonic step. In any case; you need to be involved with what Anna Pancaldi is all about and where she is going. Her music seems to resonate and connect; it goes deep and people love what she is doing. I think next year will be a huge one for her and things will get even better. Look at where she has come and how her music has been celebrated and you can see this bright songwriter shaping up to a be a future star! Even though music is packed and competitive; I can see quite a clear and golden path for Pancaldi.

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It seems there is a hero/heroine that has that confidence and inner-peace Pancaldi lacks. The song opens and makes its presence known right away. There is not a big introduction and build-up and you hear the heroine come straight in. The vocal makes an impact and its feelings known and you hear this soulful and emotive tone. The production allows the vocal to come top of the mix and there is little other sound pushing it back. You get the first sign of those electric strings but Pancaldi’s tremulous and passionate voice is the most prominent instrument at first. Maybe Peace is a reaction to things that have happened before and a bit of turmoil that has plagued her. I get the sense Pancaldi has experienced some hurt and storm and she is on a better footing. Perhaps someone in her life has that calm and inner-peace and the heroine envies that. She knows things will get better and be okay when you have that peace. Maybe it has been love or a sense of accomplishment that has got her to where she is. A lot of songwriters would use love and relationships as a drive and source of inspiration. They would spill their guts about the bond and how enriched they feel. Pancaldi is more concerned with general feeling and connecting with everyone. I am not sure what has compelled Pancaldi to feel like she needs that boost but I guess life has taken its toll and there have been stresses forming. Something has arrived that has given Pancaldi this calm and settled her nerves. Perhaps there is new romantic involvement but I feel her natural fortitude and strength has seen improvement. The heroine knows things can be good and she can live in peace for a long time. She refers to ‘we’ but I wonder whether this references a lover or a friend. Maybe things have been bad and there have been obstacles but the heroine has the desire to keep positive.

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The composition does not get too heavy and, aside from a sturdy beat and strings; it is Pancaldi’s voice that steals the show and does the loudest talking. Her musicians add a lot of flair and emotion but it is the lead that sells the words and brings that expressive voice to the fore. Rather than idly and lazily sing the words; she twists sentences and syllables to give them more emotion and gravitas. I get the sense of a woman who has been heartbroken and disappointment. She has gone through a lot and faced some pretty big challenges. Rather than accuse people or wallow in that state; she wants to break through and find some sense of grounding. There is nothing to fear when you have peace and things can be a lot better. It is a wonderful expression and mandate that will inspire a lot of people. It is hard to compare Pancaldi to any other artist because her voice has that special and personal sound. There is soulfulness and Blues touches that remind me of Stevie Nicks and a bit of k.d. lang but there is so much more working away. It is an immediate and dynamic voice that has so many different colours and emotions at heart. She is one of the best voices in modern music and someone who can elevate any song to rare heights. Peace is a track that makes full use of Pancaldi’s talents and will see her get into the mind of new fans. The production allows her voice to weave and dominate but there is plenty of space for the composition. Our heroine knows that, if we stand a little taller than before, things can be better and that peace can come. It would be easy to write clichés and present rather ordinary lyrics but Pancaldi never falls victim to that. I am amazed by her spirit and the way her words can get into the soul.

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She is an amazing songwriter who has always impressed but it seems like she has hit new peaks here. I am curious what inspired the new track and whether a particular figure has been responsible for this revival. I am a big fan of everything she puts out because it comes from a very real place and is designed to make everyone feel better. Whether that is a pleasing composition or lyrics that are directed at the listener; you always feel involved and part of the song. I feel like there has been some struggle and hardship ahead of her but Pancaldi has negotiated them and is keen to move through. Finding calm and stability can be hard in these challenging times and finding the determination to stand tough is difficult. Pancaldi is presenting this message and sentiment of hope to the people. I think things have got better in her life and changes are going to come. There is a figure in the song that seems to imbibe this newfound lust and betterment and she is taking inspiration from them. Pancaldi’s voice swoons and swoops before rising to those dizzying heights. I always love hearing her sing and what she can bring to a song but Peace seems to be one of her most complete and inspiring tracks yet. Not that Pancaldi only writes about what she is going through but here, especially, you know she is speaking to everyone and sending that positive message out there. We all go through tough times and changes but you need that belief you can get through and the storms will pass. I am impressed by Peace and have listened to it a few times. It reveals new layers and impressions each visit and stays in the mind. There are few songwriters who can write a song that has that impact and it makes me wonder where Anna Pancaldi goes from here. She is a great artist always looking to evolve and impress and you can hear that come to the fore on her latest single. I hope everyone backs her and the song reaches even more people than it already has.

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Anna Pancaldi is touring at the moment and you keep updated on her movements through her social media. With Peace out there and already capturing the imagination; people are keen to see her on the road and hear the song played up-close. The intrepid songwriter is reaching new audiences and it seems like that hunger to impress and captivate is huge. I have listened to how Pancaldi has grown and where her music is taking her. Every new release brings fresh confidence and she is not one who sticks with the same formula and repeats herself. It is going to be a busy and exciting end to 2018 but she will be looking to next year and how far she can go. Maybe there will be some U.S. dates and more success regarding T.V. and film. Radio stations here are behind her and it seems like that acclaim is going to grow. I wonder whether an E.P. will come in 2019 and what form it will take. It is a crucial and big time for Pancaldi and I am keen to see where she heads next. Maybe there will be more singles in the coming months but Pancaldi is eager to spread the music on the road and promote Peace as much as possible. There is a long way to go until mainstream success comes but you cannot rule that out completely. Anna Pancaldi has an edgy and cool sound that is beyond what you’d get from the mainstream but there is that definite populist appeal.

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You can bond with a song naturally and easily but the notes remain in the mind. I would love to see her on the road but, alas, things are a bit busy this side. I know she has a loyal and passionate fanbase and her live sets are incredible. Given the fact there is quite a bit of material under her belt; her shows have that full and eclectic sound. Next year will give her a chance to bring out new material and take that next step. I love what Peace is all about and there is a more fired and exciting flair. Get behind what she does and see this brilliant young talent rise and shine. I have been looking at her music for a while and can see how much she has grown. It is brilliant discovering a songwriter and having them lodge in the head. Things are getting bigger and brighter for Anna Pancaldi and I am excited to see where she goes. There are those songwriters that make an impression and then sort of fizzle out: few remain through the years and have that evolving and always-impressive style. Peace is proof there is a war of ambition and colour burning in her heart; that desire to get her music across the world and win new fans. There are not many who have the same attributes and talents as her. I have been playing her latest song for a bit and there is new wonder and secrets revealing themselves each time. Given her rate of progression and how much she puts into music; I think 2019 is going to be Pancaldi’s biggest year and will see gain new acclaim. Make sure you get behind Peace and give it a good listen. If you can; follow Pancaldi on social media and see her on tour. She is a fantastic songwriter and someone we all need to get involved with. She has achieved a lot in her career so far but I think Peace might be her…

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BIGGEST statement yet.

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Follow Anna Pancaldi

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INTERVIEW: Manudigital

INTERVIEW:

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Manudigital

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MY last piece before the weekend (for real this time!)…

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is a change of pace! I have been talking with Manudigital about his new single, Winner, and how he came to work alongside Derrick Parker and Lt. Stitchie. With the album Bass Attack out; he talks about Digital Reggae and the artists who have helped inspire his sound.

Manudigital tells me about his connection with the stage and the albums that have affected him; which rising artists have been catching his eye and whether there are gigs coming up – he ends the interview by selecting a very cool song!

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Hi, Manudigital. How are you? How has your week been?

I’m good, thank you! The week went very well because I released my new album and it's always exciting to release a new project! 

For those new to your music; can you introduce yourself, please?

My name is Manudigital. I'm from Paris and I'm a beat-maker who specializes in Digital Reggae!

 

Is there a story behind the new single, Winner?

There is a human story above all! Because these two artists (on the song) I work with; I’ve called the song as such – these are people I worked with on their personal album, single or E.P. projects! One is from Jamaica, the other from Tijuana; it was very important for me to record each one in their own country and then make a common project. In regards the subject of the lyrics; this direction is a classic of Jamaican music: the clash, the competition!

How did you hook up with Derrick Parker and Lt. Stitchie?

Like I told you before; I've worked for them on their own project. And it was awesome, so I really wanted to do it again! I really like collaborate with artists like them!

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Can you give me a sense of the artists you grew up around? Who do you count as idols?

My favourite artists are Bob Marley, Buju Banton; Michael Jackson, Miles Davis - and many others ones! As you see; they're from different horizons!  

Do you think there might be more material next year?

For sure! But, we need to not forget that the material is to serve the music and not the music to serve the material! We should not get lost in the material: the number-one is to make good music!

What do you hope to achieve by the end of 2018?

Hmm...I don't really know! But, what is sure is I want to still have this keen interest for music! Music makes me really happy day after day! So, I hope it’ll stay this way…

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

My best memories are when I had the opportunity to back some of my favourite artists - Bounty Killer, Beenie Man; Admiral Bailey, Johnny Osbourne; Daddy Lizar and Courtney Melody - all in the same night in Trinidad. I was invited by Chinese Laundry to perform at the huge Machel Monday event. It's by far one of the best moments of my whole career.  

Which three albums mean the most to you would you say (and why)?

Bob Marley - Catch a Fire

Because it's the base and THE classic album of Reggae music. 

Steel Pulse - True Democracy

A band that I used to listen to a lot and still do. It's an inspiration for me.

Prince JammyComputerised Dub

Because this album started the era of Digital Reggae.

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If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to play with Chronixx - because he is a major artist of the actual Reggae scene. He is the new generation incarnate and has a huge talent!

What advice would you give to new artists coming through?

Hmm. Do it without waiting for nothing. Music is a passion and the main goal would be to have some fun and pleasure! And, also, share the vibes with the public because they give you so much! 

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Do you have tour dates coming up? Where can we catch you play?

Yes! I'm going on tour this year and next year to present Bass Attack to the public. I'm going to Reunion Island, Russia and Europe soon. To keep updated, follow me on social networks (@manudigital)! 

How important is it being on the stage and playing your music to the people?

The moment I'm on stage is the only one where I can share my music for real, with people in front of me. I often spend a lot of time in my home studio. It's a bit lonely, so it's really nice to have instant feedback with the public on stage. It's really exciting being on stage and for me both parts are important in being an artist. 

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 IN THIS PHOTO: MESH M18

Are there any new artists you recommend we check out?

Oh; so many! The world is full of good artists. But, if I need to tell you few names, I'll say: Dapatch, MESH M18 and Tom Spirals!

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Do you get much time to chill away from music? How do you unwind?

Yes. I try to keep as much time as I can for my family! And, it's different when I'm working in studio: I spend more time at home. When I'm going on tour, I'm not there much during the weekends. For relaxing, I really like going fishing in my region. It's so calm! 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Hollie Cook - Angel Fire! Thanks!

 

BIG UP!

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Follow Manudigital

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INTERVIEW: Beth McCarthy

INTERVIEW:

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Beth McCarthy

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I have been following Beth McCarthy for a while…

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and can see how she has blossomed as a songwriter! I have been talking with her about the track, Shame, and the story behind it; what it was like filming its video and whether more singles/material will come before the end of this year.

McCarthy talks about her music idols and albums that hit her hard; whether she has any gig plans coming up and how music arrived in her life in a child – she recommends some great artists we should get behind and support

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Hi, Beth. How are you? How has your week been?

I’m really well, thank you! My week has been a little stressful but good - seems to be the description of most of my weeks these days.

For those new to your music; can you introduce yourself, please?

So. I’m a singer/songwriter from York and I’ve been on ‘the scene’ for around eight years now. People who follow me will know me for a more Country/Folk vibe but I’ve spent the last year working on a totally new Electronic/Pop sound that I’m super excited about.

Shame is out now. Is there a story behind the track?

I wrote Shame with a great songwriter and artist, Ben Earle (from The Shires). I went in to our session with a lyric idea that I’d been playing with for a while: “It’s a shame that your heart don’t want me the way that your hands do/Shame that your eyes wont love me the way that your words do”.

I wanted to write a song that told the story of a one-sided relationship where you would do anything for this person but they only see you as company when it suits them. Ben totally got the idea and we went on to create what is now Shame! This song was actually the turning point of my new sound. I went in to the session expecting to write a Country/Pop song and came out with something totally different to anything I’d ever written. It was the first time in a while that I’d felt really excited about something musically and everything just seemed to fit in to place after that.

What was it like shooting the music video? Do you get quite involved with video concepts?!

In a word – ‘cold’! I’m always really involved in all creative aspects of my music, partly because I love it and want everything I create to come from a real place inside me and partly because I’m a huge perfectionist! The first half of the video is set in a bedroom. I imagined the lyrics of the song coming from right in that moment where you are so close with someone physically but there’s a complete lack of emotion and I felt we needed to put that narrative into the video.

Then the concept for the beach part of the video came from the idea of how lonely this situation can be. We re-created the bedroom on the beach to represent the ‘headspace’ when with that person so, in reality, the person is there but in your head you are completely alone and isolated and it’s pretty miserable. All a bit deep, I know, but I didn’t want to over-complicate the video with the song being so simple so thought a slightly more hidden meaning would work best!

Might we expect some more material next year? How far ahead are you looking?

You can actually expect some more material in the next few weeks! My second single, Crazy for You, is already out; the third will be following soon and there will be a full E.P. by the end of 2018. I’m now back into writing mode for next year so there’s really no stopping me from now on!

You are a Yorkshire-based artist. Is it a great county to make music in? How important are the people and the vibe of Yorkshire regards your music?

I am so unbelievably proud to be from Yorkshire. I think we have some absolute gems when it comes to music and everyone just wants to help each other get to where they want to be which is amazing. Yorkshire supports Yorkshire. It’s magic.

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Were you raised around a lot of great sounds? What sort of music were you raised on?

I was actually raised on Rock music! AC/DC, Meat Loaf and Deep Purple were all favourites of my dad so, ultimately, became the soundtrack to my childhood. The standout, though, was Queen and they remain one of my favourite bands of all time!

What do you hope to achieve by the end of 2018?

I try not to put time stamps on things as I’ve found it generally leads to disappointment! I’ve been in so many situations where things have been planned or promised and they’ve ended up taking far longer than expected or not happening at all which leaves this massive feeling of defeat.

These days, I just keep going ‘till I get to where I want to be and I don’t really keep track of the time. I know that, if I keep working hard, it’ll happen eventually so I just enjoy the ride!

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Galtres Parklands Festival 2014 was one of my favourite ever gigs. I turned up for my set to a completely packed tent of people just waiting to hear me sing and I’d never experienced that before. There was just something so special about being in a space full of such kind, supportive people who all love music - it’s a feeling I’ll never forget.

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Which three albums mean the most to you would you say (and why)? 

Difficult one! Okay, so:

HAIM - Days Are Gone

It takes me back to the best summer of my life. 

Antonio Lulic - Never or Tonight

He was the first artist to really inspire me to write and perform as a singer-songwriter and I listened to that album on-repeat!

Bat Out of HellMeatloaf

It will always remind me of roadtrips with dad.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d love to support HAIM as they’re one of my favourite bands and I reckon they’d be a hoot to spend time with.

My rider would be a big ol’ box of Yorkshire Tea, milk and a kettle. I’m easily pleased.

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What advice would you give to new artists coming through?

The best advice I ever got was from a doctor in London who I met during my time on The Voice. He’s a doctor to the stars and said that the three things you need to be successful in this industry are: talent, the skin of a rhinoceros and the ability to cope with extended periods of inactivity. Over the last couple of years, I’ve realised how true that is and it’s kept me going through some of the harder times.

Do you have tour dates coming up? Where can we catch you play?

I’m planning a big York show at the beginning of next year which will be pretty special but I’m holding off touring just for the minute as I want to wait until it’s the right time. If I’m going to do something, I want to do it well and I want to do it right!

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 IN THIS PHOTO: Lennon Stella

Are there any new artists you recommend we check out?

I’m obsessed with Lennon Stella at the moment. She’s got a voice that I will never get tired of and I truly think she’s going to take over the music industry. Also; The Dunwells. Two insanely talented guys who I've had the pleasure of writing a few songs with. 

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 IN THIS PHOTO: The Dunwells

Do you get much time to chill away from music? How do you unwind?

Honestly, the majority of my life is centred around music but I love it so it really doesn’t feel like ‘work’. The rest of the time I’m with my dog, or my friends and family (but mainly my dog).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Well. Seeing as I’ve just told you how ace she is, I’d love you to play Breakaway by Lennon Stella

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Follow Beth McCarthy

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INTERVIEW: Nana Adjoa

INTERVIEW:

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 PHOTO CREDIT: Bibian Bingen  

Nana Adjoa

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MY final piece (until tomorrow) is a chat with Nana Adjoa

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  PHOTO CREDIT: Bibian Bingen

as she tells me about her new single, Sometimes Love Is Evil, and filming its video. I ask when music came into her life and which artists/albums are important to her – Adjoa reveals whether there will be new material coming along next year.

The Amsterdam-based songwriter talks about her touring plans and what it feels like being on stage; which rising artists we need to get involved with; whether she will come to the U.K. at any point – she offers some useful advice for musicians coming through.

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Hi, Nana. How are you? How has your week been?

Hi! A good week it was. Been on the road a lot, which I like, and we played two gigs with the band. Also enjoying the strange summer weather in October we’re having here.

For those new to your music; can you introduce yourself, please?

I’m a musician and singer. I write, record and produce music that’s floating somewhere between the genres of Alternative-Rock and Dream-Pop (with Urban influences). Lyrically poetic-ish but analytic. 

Sometimes Love Is Evil is your new track. Is there a personal story behind the song?

There isn’t one story behind it: it’s more story and analysis of my failed attempts in love combined. Never having had a ‘successful romantic relationship’ (because of reasons I’m still trying to figure out) and feeling the need, and also some pressure by yourself and others, to pursue it again and again.  

I really like the video for the track. Was it cool being involved in it?

Very cool! Kay, the director, and I first had conversations on the subject and I didn’t need to explain myself that much because he felt the vibe quite instantly. We talked about some movies on the subject (Like the Lobster and Under the Skin).

We agreed we didn’t want the video to be a portrayal of your typical couple of a man and a woman with just one storyline. Instead, we were looking to put more emphasis on different symbolics or even absurd features of people interacting without a narrative - more a collection of stories, happening in this incredible haunted-looking house. He and the rest of the team all perfectly filled it in and it was a fun and pretty natural experience! 

Might we see more material in 2019? How far ahead are you looking?

Well. We’re releasing more material this year: my third E.P., A Tale So Familiar, which also features Sometimes Love Is Evil. I’ve started writing and thinking on a concept for a new album. Still in the very early stages. But, I hope to release it in 2019, yes. 

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 PHOTO CREDIT: Bibian Bingen

Give me a sense of when music came into your life. Did you grow up around a lot of different sounds?

My parents are both music lovers. My mother also plays the bass (which is my primary instrument as well). So, we always had music playing - mostly black music, ’70 Funk/Soul; Reggae and ’90s R&B. I had some trial and error with keyboard and guitar lessons before landing at my 'first love', the bass guitar. We had a basement in our house with a drum kit (belonging to my nephew); a bass amp and a guitar amp. So, we rehearsed there with my first bands. 

What do you hope to achieve by the end of 2018?

Reaching and meeting some new people/audiences in territories outside the Netherlands.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

The Eureka! moments in the studio after noodling around for hours are still the best moments on all accounts - and then the tour (in the Netherlands) with my band I’m playing with right now. I love being on the road; especially with them. Four very special people that inspire me. 

Which three albums mean the most to you would you say (and why)? 

That changes over time. So, for now, I’d say:

Grace - Jeff Buckley

It is (probably) always be high up my list. When first hearing this (in high-school), I felt like I found a new kind of spirit in music - a sound, approach and feeling I had never experienced before. Still, I can’t point out exactly what it is.

Channel Orange - Frank Ocean

This is one of my favorite records of the last ten years. I feel everything he does is real and exciting and just damn good. 

The Information - Beck

…or any other Beck record. Every time I listen to a Beck record, I still hear things in there I didn’t hear before. 

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If you could support any musician alive today, and choose your own rider, what would that entail?

The living artists of the above questions…but it would maybe be a bit of a strange match. Haha. Our rider is pretty basic: beer, fruit; chips and ginger beer for our tour manager. I’d maybe add a dartboard or a table tennis table if possible. 

What advice would you give to new artists coming through?

Find and invest in the people you work with. They need to be good at what they do, obviously. Preferably, you also like them on a personal level but, most importantly, they understand you and/or your music. 

Do you have tour dates coming up? Where can we catch you play?

World tour dates:

Oct 7th - Communion Presents @ Notting Hill Arts Club, London

Oct 11th - Effenaar, Eindhoven

Oct 14th - Bitterzoet, Amsterdam

Oct 18th - Luxor, Arnhem

Oct 24th - Paard, Den Haag 

Nov 6th - Communion Presents @ Rockwood, NYC 

Nov 8th - The catalyst Atrium, Santa Cruz* 

Nov 9th - The Independent, San Fran* 

Nov 10th - The Moroccan, LA* 

Nov 11th - Voodoo Room @ House of Blues, San Diego* 

Nov 12th - School Night LA 

*supporting City of the Sun

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Do you think you’ll come to the U.K. and play next year?

I definitely want to, hope to and do everything I can to make it happen. 

How important is it being on the stage and playing your music to the people?

It’s very, very important because it’s an aspect in my life that gives me purpose. It’s a very different creative process than writing and (for me) it’s also a challenge every time and I like challenges. Each time is different, or should feel that way. And, it’s a shared experience, with your band, crew and the audience. Sharing is good. 

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 IN THIS PHOTO: LUWTEN/PHOTO CREDIT: Eddo Hartmann Photography

Are there any new artists you recommend we check out?

Here are some Dutch acts you need to check out: LUWTEN, Sofie Winterson, Felbm and Jo Goes Hunting

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 IN THIS PHOTO: Sofie Winterson/PHOTO CREDIT: Paul Bellaart

Do you get much time to chill away from music? How do you unwind?

Surfing. I’m not good at all but I enjoy it every time. We have a (relatively) big coastline in the Netherlands, but the best waves are in the winter. So, when it’s flat, I like to just go out and have drink with people or stay in and watch football (soccer). Simple. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Deep WaterPortishead

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Follow Nana Adjoa

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INTERVIEW: Olivia Belli

INTERVIEW:

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Olivia Belli

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IT has been great finding out more about Olivia Belli

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and her latest album, Where Night Never Comes. The composer discusses her musical path and what themes have inspired her latest work; if she has a favourite song from the record and whether there is anything more planned for the rest of the year.

I ask which musicians have inspired her and when she took to the piano; if there are tour dates coming up and whether there are any rising artists we need to get behind – Belli ends the interview by selecting a beautiful song.

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Hi, Olivia. How are you? How has your week been?

Hi, Sam. Today, unfortunately, I have just a little cold but I hope to recover soon. My weeks are always busy and I fell really privileged to dedicate so much time to my music. As you know, I have just released my debut album as a composer (Where Night Never Comes); I’m touring right now to present it and, meanwhile, I’m working on ideas for the remix of it and for a new album too! Very busy indeed.

For those new to your music; can you introduce yourself, please?

I’m a pianist and composer. I have been releasing albums since 2016 - so just few years. I love to try new ways to make music so I recorded my album Max Richter and Philip Glass: Piano Works using the amazing sound of the contemporary piano (UNA CORDA). Even if I’m still very involved as a performer of the music of great maestros from the past and the present, now I’m concentrating on my own music. I have been composing since I was a child but, for a long time, it was just a personal activity. I felt I had to study and learn from the works of other composer and, in my opinion, the best way is to perform their music and, alas, find another perspective.

Now, I feel ready to share my original music with all the people that love my genre: a Neoclassical style, inspirational with influences by Satie, Einaudi; Glass and Richter. For my album, Where Night Never Comes, I had to build a special soft pedal to use in a Yamaha U3 upright piano: it was the only way to find the intimate sound I was looking for. And now I’m trying to manipulate the sound with the lives electronics.

Your new album, Where Night Never Comes, is out. What is the story behind the album? How do you think it varies from your previous efforts?

This is my debut full album as a composer, so it’s completely different from all my previous releases where I performed the music of the composers I admire. I did an E.P. but only four songs as a tribute for the Piano Day 2018.

Where Night Never Comes is a place of memory. It is my life, my passions; my interests and tells about my dears, my land and my surroundings. It’s the soundtrack of my daily life: a collection of big and small things that moved me, impressed me; left a trace on me. All together they symbolize my ideal day. A day that all of us sometimes experience, a day we wish it never finishes.

Do you have a favourite song/moment from the record?

All of them give me a strong feeling because now, after so much time, they make me remember the moment I had the need to write them. But, if I must choose one, I would say The Secret Vein - dedicated to my mother and to her sweetness that always accompany me.

When did you first take to the piano and fall for it? Was there someone who inspired you?

In my family, everybody play and love music. We had a piano at home and I used to touch the keys from just few years old - but I began my first lessons around seven/eight-years-old. I immediately understood I would never stop! Many musicians I met along my way inspired me, but the real mentor I had the (good) luck to find was and still is my husband Enrico, who now is my sound producer.

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In terms of influences; which musicians did you grow up around?

My first love was and still is Bach: I can’t imagine my life without his music. Then, I must mention Chopin, Ravel and Satie - they influence my compositions. From the contemporary composers, the ones I admire most are Philip Glass and Max Richter; Ludovico Einaudi for how he can make the piano sing; Ólafur Arnalds for the way he mixes all the genres.

What do you hope to achieve by the end of 2018?

Hard question! Actually; the main goal would be to reach - with my music - the heart of as many people as possible through the concerts, the streaming platforms or videos.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

All the moments in which, while playing, I find a promising idea and I chase it, losing track of time. That’s the place I would love to live in.

Which three albums mean the most to you would you say (and why)?

Bach: The Goldberg Variations by Glenn Gould (1955); Bach: The Goldberg Variations by Glenn Gould (1982). It is amazing to feel, in these two versions, the two completely different interpretations of the same work and both are so convincing. Of course; I have many more albums than one to mention but, if I have to say one, I would say Recomposed by Max Richter- Vivaldi - The Four Seasons. For me, it represents the beginning of my time as a performer and a composer.

If you could support any musician alive today, and choose your own rider, what would that entail?

Jakub Ciupinski: a visionary musician who, in my opinion, should deserve much more attention. I discovered him through his work, Morning Tale: i. Nocturne. I would like him to write more for piano solos.

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What advice would you give to new artists coming through?

Never give up! It’s hard to find our way in the new music market but keep updated; do your best and, at the end, something will happen.

Do you have tour dates coming up? Where can we catch you play?

Now, I’m touring in Italy and I’m dealing for dates in Europe. On my site, you can find all the news.

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IN THIS PHOTO: Douglas Dare/PHOTO CREDIT: @ozgecone

Are there any new artists you recommend we check out?

Douglas Dare - because his songs are strong, like a punch in the stomach 

Do you get much time to chill away from music? How do you unwind?

When I get some free time, I love walking around the woods near my house (in 2012, I moved to the countryside); reading books and taking care of my garden!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

From the E.P. Bach Reworks by Víkingur Ólafsson, the track For Jóhann

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Follow Olivia Belli

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INTERVIEW: Poor Nameless Boy

INTERVIEW:

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Poor Nameless Boy

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THE terrific Poor Nameless Boy

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has been telling me about his latest single, Catch Up and Slow Down, and how it came together; what the story behind his moniker is; whether there is going to be more material coming along soon – I was keen to know whether he has musical idols and influences.

The Canadian songwriter talks about his father’s influence on his music and reveals whether he might come to the U.K.; what advice he would give to artists coming through; if he ever gets time to unwind away from music – he ends the interview by selecting a great song.

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Hi, Poor Nameless Boy. How are you? How has your week been?

Not so bad! Just got home after a weekend of five plane rides, so some coffee and songwriting will do me just fine.

For those new to your music; can you introduce yourself, please?

My name is Joel. I’m from the prairies of Saskatchewan in Canada and I’m a songwriter at heart. I tend to find myself in genre discussions of Singer-Songwriter, Americana and Folk among others. Last time I was here people compared the writing style to Conor Oberst, so I’ll take that. This track is certainly a bit different.

Catch Up and Slow Down is your new track. Is there a story behind it?

I love truly asking people how they are doing and it seemed that lately the same answer of “Good, busy” came up more and more. We are all busy. We are all somewhat ‘ok’. Getting together for coffee with old friends or truly connecting with someone new should be something special though; something that slows time down; allows you to love those who are most important in life; a desire for intimacy.

Might there be more material coming next year do you think?

Oh, you betcha. This is the first single from an E.P. which will be released early-2019 and there will thankfully be other videos and singles from it.

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Can I ask where the moniker ‘Poor Nameless Boy’ stems from?

Sitting at the kitchen table with my father...

My family has a long history in the music scene, including him, uncles and my older brother. I wanted a stage moniker but couldn’t decide on anything. He poked fun by saying: “Oh, poor nameless boy”. I surprisingly loved it. In a world where music is often about riches and fame, I certainly don’t mind being poor and nameless.

In terms of influences; which musicians did you grow up around?

My father was an entertainer in the ’60s and ’70s primarily. I grew up with Pop, Rock; Motown and really fell in love with the vocal harmonies of that era. I went through a distinct Emo phase by falling in love with Jimmy Eat World as a teenager.

But, lately, I have been very much influenced by songwriters such as Noah Gundersen, Phoebe Bridgers and Canadian storytellers like Del Barber, William Prince and Donovan Woods. I fell in love with the songwriting craft and discussing ‘why a song works’ is one of my favorite things.

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What do you hope to achieve by the end of 2018?

I hope to get my Christmas shopping done earlier so I’m not being frantic. I also would love to do more co-writing during the start of the winter season. It’s going to be a lot of preparation work with the E.P. coming out soon into 2019 but I’m just trying to enjoy the fact that people are giving Catch Up and Slow Down a chance. It’s a beautiful thing.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I played Reeperbahn Festival in Germany a couple years ago. It was after my first performance where I signed a publishing deal. I love writing songs and having someone invest in my creativity to do that means the world to me. I also played a stacked Canadian line-up in London which is a show highlight for me. William Prince, Port Cities and Blonde Diamond (Formally Youngblood) made up the rest of the line-up.

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Which three albums mean the most to you would you say (and why)?

They each hold a special place for me. The first E.P., I barely wanted to make. The first full album was basically just a buddy and me making it work. A lot of the songs were my personal healing. Bravery felt like the truest form of what kind of music I wanted to make. Lots of emotional songs.

If you could support any musician alive today, and choose your own rider, what would that entail?

Lots of candy and coffee. Lots of fresh fruit and soup. I think it would be very humbling to perform with Phoebe Bridgers. The songs off Stranger in the Alps have influenced my writing.

What advice would you give to new artists coming through?

Hang in there. Be unforgettable. Aspire to write unforgettable songs. Be kind to people.

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Do you have tour dates coming up? Where can we catch you play?

I’ll be touring quite a lot in 2019, beginning with plenty of Canadian dates. The plan is to have both U.K. and European dates but…nothing to announce quite yet.

Might you come to the U.K. and perform?

I love the U.K. and I’ll for sure be back.

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 IN THIS PHOTO: Luca Fogale

Are there any new artists you recommend we check out?

Hmm. I just finished seeing an artist named Luca Fogale for the first time in an intimate show. He was terrific.

Do you get much time to chill away from music? How do you unwind?

I watch a lot of cartoons and hockey to relax. I’m Canadian, after all. I think with music I go through very busy seasons and more relaxing seasons where I can write a bit more.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Give a spin to William Prince - Breathless. He’s a good soul

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Follow Poor Nameless Boy

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INTERVIEW: J. Bruno

INTERVIEW:

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J. Bruno

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THIS interview finds me talking with J. Bruno

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as he discusses his latest single, Lose Yourself. The Danish artist tells me about his musical upbringing and what he has planned going forward; a new act we should get behind – I ask whether he will come to threw U.K. and play at some point.

J. Bruno reveals what he does away from music and a few albums that mean a lot to him; how his work has developed since the very start; what he wants to achieve by the end of the year – he selects a great song to end the interview with.

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Hi, J. Bruno. How are you? How has your week been?

Hi there! My week has been good. Got back from N.Y.C. on Friday. I was there to play three shows. Then, I was offered a support gig in Denmark for Yellow Days (from the U.K.) on Monday.

For those new to your music; can you introduce yourself, please?

My music is all about love and everything that comes with it.

Lose Yourself is your new song. What is the inspiration behind the song?

Lose Yourself is a song that I wrote on an electric organ that I have in my living room. It has a drum machine built in it so I was kind of just playing around with that.

I believe an E.P. is coming up. Are there particular stories and personal experiences that inspired the music?

Well. All the things that I write are, on some level, based on personal experience. I’m not through selecting the songs for the E.P. so I can’t exactly say what they are about yet. But, stuff that happens to me, things I feel an urge to express - or just things I find funny to say out loud.

Which artists did you grow up around? Were you raised in a musical family?

My mother’s side of the family introduced me to Classical music. Her brother and sisters are all Opera singers, pianists and such. So, I have attended a fair share of operas and symphonies. My father was a Ragtime pianist and he loved the rhythm and soul of the ’80s. 

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What do you hope to achieve by the end of 2018?

Hopefully, I will have made enough money to buy my mother and sister a decent Christmas present.

How do you think your work has developed and progressed since the start?

There was a time when I didn’t think about what I was doing: I just did it. Then, all of a sudden, I became aware of this, that and the other. The past couple of years, I have practiced getting back to that state in which I just let things flow. That was the main reason why I went to play in N.Y.C. I wanted to improvise the whole thing, which I did. So, before I went there, I bought a lot of new equipment I didn’t know how to work. So, I had to do stuff intuitively. I learned a lot from that experience.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

When I was five, I remember hiding a C.D. from my drum teacher because we always had to play stuff from it. I don’t know why I didn’t just tell him that I wanted to play something else. I was always a shy kid.

Which three albums mean the most to you would you say (and why)?

That always changes. But, three albums I always enjoy listening to are Blonde on Blonde by Bob Dylan; A Night in Tunisia by Art Blakey and the Jazz Messengers and H’art Songs by Moondog.

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If you could support any musician alive today, and choose your own rider, what would that entail?

If I could support any musician? I’m not sure I understand the question (smiles). My dream rider includes hot sauce, Danish pastries; blood from a bat and sparkling water.

What advice would you give to new artists coming through?

I’m not sure that I am in a position to give anyone advice on how to built a career. But, the best things that have happened to me have always come from surrounding myself with good people and keeping an open mind to new creative ideas. 

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Do you have tour dates coming up? Where can we catch you play?

I do have one show that I’m really looking forward to be playing. But, I’m not allowed to reveal the date or the venue as of yet. Keep a look out. I’ll post about it first thing when I get a go from the promoter.

Might you come to the U.K. and play at some point?

Definitely. I have played a bunch in the U.K. with John Hassall of The Libertines and I always enjoy it. Love the country, the food and, of course, its graceful ladies.

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Are there any new artists you recommend we check out?

I get a kick out of listening to the debut album by Danish duo Kogekunst. But, I’m really bad at finding out about new artists. You really should ask my sister Julie about that.

Do you get much time to chill away from music? How do you unwind?

No. I don’t lately. I do boxing with my homeboy Benni when I have the time. He used to box at a really high level, so I learn a lot from him.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thanks! I will probably go with Pigmy Pig by Moondog

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Follow J. Bruno

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FEATURE: Sisters in Arms: An All-Female, Autumn-Ready Playlist (Vol. XII)

FEATURE:

 

 

Sisters in Arms

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IN THIS PHOTO: Ivy Sole/PHOTO CREDIT: @saeedaferguson

An All-Female, Autumn-Ready Playlist (Vol. XII)

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THE is weather is all mad…

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IN THIS PHOTO: Hands Off Gretel 

and we can get warm and sunny days (like today) and those rather cloudy and awful ones - that feel like autumn. In the latest edition of this playlist; I have collated songs, I feel, portray the complexity and variation of the weather. There are some cooler and more windswept numbers and some fizzing and hot tracks that get you uplifted and moving. I am excited seeing all the female/female-led music coming through and how much range there is! Have a look through this tasty rundown that will get you into the mood and elevate the spirit – no matter what the weather is like where you are! It is another fantastic collection of female-fronted songs that emanate from some of the finest…

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IN THIS PHOTO: Thunderpussy/PHOTO CREDIT: Jake Clifford  

NEW artists around.

ALL PHOTOS (unless stated otherwise): Getty Images/Artists

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Hands Off Gretel S.A.S.S

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PHOTO CREDIT: Andrew McIntyre

Tmboy Seed

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Maya KallyAnother Time 

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PHOTO CREDIT: @erina_uemura

Pinky PinkyHot Tears

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PHOTO CREDIT: Andrea Montano

Halo MaudBaptism

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Ivy Sole Parables

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MadgeHow to Play

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Dope Saint JudeGrrrl Like

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Gabriella CohenNeil Young Goes Crazy

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Yazmin LaceyBody Needs Healing

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Cat BurnsSober

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Rae MorrisRose Garden (Compton White Remix)

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PHOTO CREDIT: William Pope

TamzeneCount Your Days 

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Billie Eilish when the party’s over

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Nuela CharlesForecast

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PHOTO CREDIT: Shabnam Ferdowsi | Photography

Maddie Ross Physical

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Party FearsDog Star

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PHOTO CREDIT: Elliott Franklin

Hydra Lerna Reckless

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Calva LouiseI Heard a Cry

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PHOTO CREDIT: Asupremeshot

PeanessUgly Veg

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PHOTO CREDIT: Thomas Brooker

Lazybones - Heart Beat Like a Drum

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White Flowers Glimmer 

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DorothyWhite Butterfly

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Adwaith Newid

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PHOTO CREDIT: Michelle Grace Hunder

BATTSGun

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PHOTO CREDIT: Eddie Rehfeldt

Thunderpussy - The Cloud

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PHOTO CREDIT: Ian Laidlaw

Jess LockeNothing at All

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Vienna YouthMellow Medicine

INTERVIEW: Fil Bo Riva

INTERVIEW:

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Fil Bo Riva

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I have been spending time with Fil Bo Riva

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as he tells me about the brand-new single, Go Rilla, and the strange inspiration behind it. I ask when more material might come and when music came into his life; which albums are most important to him and whether there are gigs coming up.

The songwriter tells me what he wants to achieve by the end of the year; which artist he’d support given the chance; if he gets time to chill away from his busy schedule – he ends the interview with a great song choice.

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Hi, Fil Bo Riva. How are you? How has your week been?

All great, man!

For those new to your music; can you introduce yourself, please?

I'm a solo musician but also a band. I would describe our music as a mix of Folk, Soul and Indie. The music plays with strong dynamics and big vocal parts. Hard to describe it but I'd be best to just listen to the songs.

Go Rilla is your latest single. What is the story behind the song?

I first came up with the idea to the song in Manchester in 2016 while supporting Joan As Police Woman through Europe that winter. It was raining outside and I was in the bathroom just before soundcheck.

Somehow, I started staring at this poster of the club we were playing called Gorilla. I don’t know why but I just got a flash inspiration; took my phone out and immediately started singing the chorus, melody and words. Everything else developed some time after when I found other lyrics I had written down after a dream - most of these words suited what I had in mind and so it just ended up being what it is now: a song about unbridled passion and the rapturous idea of escaping the real world.

How do you feel your work has evolved since the start? Do you feel more adventurous and confident as a songwriter?

I noticed a bigger interest in experimenting with other instruments and sounds, but also in the way I write. Sometimes, songs come out longer and maybe a bit too complex. But, that's something that you can adjust while writing. It's good to try different things.

Might we see more material in 2019?

Of course. Our debut album will come out in early-2019. Very excited about it.

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Give me a sense of when music came into your life. Did you grow up around a lot of different sounds?

I was around ten…that's when I got my first guitar. I didn't really listen to music but I started playing. We weren't a very musical family but my parents used to listen to good music - stuff like ABBA, Queen or The Bee Gees. Sometime after getting my first guitar, I discovered The Beatles through my neighbours and fell in love immediately.

What do you hope to achieve by the end of 2018?

Well. We're still finishing off the last songs for the album, so we'll have it mixed and mastered by the end of the year.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Playing in front of 3,000 people in Cologne in 2016 was mad. We played a handful of gigs before that as a duo and we were opening for Matt Corby. I've never been so scared before! 

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 PHOTO CREDIT: Frank Brill

Which three albums mean the most to you would you say (and why)?

Very hard. That's a question where I never know what to answer cos it's always Beatles albums. Haha. So, I would say: ‘The Red Album’, ‘The Blue Album’ and the ‘1’ album.

If you could support any musician alive today, and choose your own rider, what would that entail?

Today, I'd choose Bon Iver cos the music somehow suites me and the audiences (at his shows) were always very quiet and respectful.

What advice would you give to new artists coming through?

Focus on your songwriting and on your person. Stay yourself but try and find something that makes you stand out from others. Make everything with love and try to share your work; don't try and do everything your own.

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 PHOTO CREDIT: Frank Brill

Do you have tour dates coming up? Where can we catch you play?

Tour dates will be announced this Friday… 

Do you think you’ll come to the U.K. and play next year?

Of course!

How important is it being on the stage and playing your music to the people?

That's something I had to get used to. I didn't like it at the start but I had to get used to it and finally I started finding a way to love it.

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  PHOTO CREDIT: Frank Brill

Do you get much time to chill away from music? How do you unwind?

Not really - but I'm constantly thinking about finding something

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Aretha Franklin - Think

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Follow Fil Bo Riva

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INTERVIEW: KIDSØ

INTERVIEW:

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KIDSØ

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THANKS to KIDSØ

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for talking about their single, Apart, and how it came together. I was keen to know how the duo got together and the music that inspires their sound – I learn about their upcoming tour plans and which rising artist we need to look out for.

KIDSØ discuss their path into music and what the music scene is like in Germany; what advice they would give to artists coming through; how they unwind away from music; what their favourite memory from their time in music is – they end the interview by selecting a cool song.

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Hi, KIDSØ. How are you? How has your week been?

The last few months we were quite busy working on our E.P. We both decided to take a few days off to from music producing. We just came back from last weekend at the lake Schliersee in Bavaria. That was quite relaxing and we had time to think of 2019 and to create a road map for us.

For those new to your music; can you introduce yourselves, please?

We are Moritz and Martin and play some kind of down-tempo, organic Electronica. We both started playing drums and like to focus on beats and rhythms. Moritz is more responsible for harmonies and melodies; Martin plays the beats and percussion.

How did KIDSØ get together? When did you all form?

Martin moved to Munich six years ago. At that time, he was looking for some other musicians to play some music. At that time, we both met for the first time and we immediately started to play in our first band together. KIDSØ was formed years later based on the music we played since we met.

Your new single, Apart, is out. It is from the E.P. of the same name. Are there particular themes and stories that inspired its creation?

We produced almost all songs of the entire E.P. close to a Bavaria lake in a small and quiet house. We took all our equipment from the studio and moved for several weekends and days to that place. That was quite motivating. We tried to combine the environment we had there with our music. Some of the rhythms and sounds you hear on the E.P. are based on elements from that lake. For example, the sample of that whale you hear in the song actually was a bird we took from there.

Which artists did you all grow up around? Do you have any personal musical idols?

The artists we grew up with inspired us to start learning and playing our instruments. As we started with KIDSØ, we also listed a lot to artists like Christian Löffler, Parra for Cuva or Ólafur Arnalds. They pretty much influenced us and the music we create today.

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As a German duo, what do you think of the scene there? Is there a big market for Electro artists?

Most artists and labels in of Electronic music in Germany are located in Berlin. Compared to Munich, the city we both live in, the scene is not that strong here but definitely evolving. We are proud to be part of that process here in Bavaria. 

What do you hope to achieve by the end of 2018?

We will release our debut E.P. on 26th October this year. We put all our efforts into that release and will promote our release and music from then on. But, we will see. A few gigs are still in the pipe for the next months.

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Have you each got a favourite memory from your time in music so far – the one that sticks in the mind?

That was definitely a concert we both played together in 2014. We played a show in the Muffathall in Munich. All 2,800 tickets were sold and the venue was fully packed. That was impressive and still motivates us.

Which one album means the most to each of you would you say (and why)?

We both share playlists on Spotify - it is hard to say that there is this one album. But, we can say that there are some songs and artists which means the most to us. For example, tracks like Window from HVOB or Blurred from Kiasmos.

If you could support any musician alive today, and choose your own rider, what would that entail?

We love the current tour of Ólafur Arnalds. He has incredible stage equipment with him on all concerts. We would definitely want to have a full piano with us on stage at some point in time. That would be that key element in our stage rider.

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Can we see you on the road this year at all after your album launch?

We are touring in Germany end of this year and beginning of next year. You should check our channels as we will announce some shows for spring 2019 in a few days.

What advice would you give to new artists coming through?

Stick to that music you like and not what others want you to do.

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 IN THIS PHOTO: Owen Ross/PHOTO CREDIT: Felix Strosetzki //Photography

Are there any new artists you recommend we check out?

Our label, Finest Ego, is pretty well known for discovering some new evolving artists. You should check out their artists like Owen Ross.

Do you both get much time to chill away from music? How do you unwind?

We would love to, but do not find enough time to do so yet. We sometimes just take our boat and paddle on the lake Starnberg or Ammersee. That gives us the opportunity to unwind from daily life.

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

As we spoke about one of our most preferred artists, we would suggest Ólafur ArnaldsNear Light

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Follow KIDSØ

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INTERVIEW: Tiger Lion

INTERVIEW:

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Tiger Lion

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THE excellent Tiger Lion

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has been talking about the new single, Black Sea, and what its inspiration is. I ask how her music comes together and when music arrived in her life; if there are tour dates coming up and how important it is being on the stage and delivering music to the people.

Tiger Lion reveals a few albums that are especially important and recommends some rising artists – I ask whether there are plans for 2019 and what advice she would offer to artists coming through right now.

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Hi, Tiger Lion. How are you? How has your week been?

Bonjour! I’m good. My week has been quite full-on with two gigs, the release of our new song; work and life in general!

For those new to your music; can you introduce yourself, please?

My name is Clémentine. I am a music-maker under the name ‘Tiger Lion’ and the project comes to life with two wonderful humans - Geoffrey (guitar) and Dan (drums). We are mainly French but based in North London.

I would say we’re making a kind of experimental Pop with a big love for Shoegaze, analog synths and World music.

Black Sea is your latest single. Is there a story behind the song?

This song was inspired by a ‘voyage’ in Scotland and some of the Hebrides islands. The darkness of the sea and its texture were fascinating. I suddenly had to go back to London, travelling from the Isle of Skye to Euston in just a day. It was a strange situation. More generally, it is a song about feeling disconnected from your essence - it could be a land, a loved one; your family…

The physical release of Black Sea is actually limited edition prints from this trip.

How did you get into music? Was it something you were always around?

My parents are very musical. I can remember myself singing from a very young age; humming melodies at the back of the car, daydreaming all the time. But, I didn’t play any instruments until quite late.

When I was small, I was more into horse riding because music was ‘my parents’ thing’ but, slowly, around the age of sixteen I picked up a bass. My dad showed me how to play the basic notes and I started playing in bands.

I love how your music sounds and comes together. Do you play with a band and work on tracks together?

These days, I write and record demos on my own, then we work on additional production with Geoffrey and Dan. After that, we adapt the song for the live show (sometimes, I get carried away and add lots of sitar sounds and Iranian flutes and I forget I don’t have a sitar or a flute player with me!).

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Can we expect any more material in 2019? Are you looking that far ahead?

I am writing an album! It is inspired by different places, but more specifically Japan. I’m hoping to release it sometime in 2019. 

What do you hope to achieve by the end of 2018?

Hopefully, I will have a full album written and recorded (smiles).

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

That time where we played in Exeter Cathedral was magical. There was actually a mini, five-minute documentary made about this performance.

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Which three albums mean the most to you would you say (and why)?

The White Album’ from The Beatles

Because it means everything.

A Moon Shaped Pool by Radiohead

It just encapsulates everything that I love - unexpected textures, beautiful melodies. Everything touches the soul so deeply.

Kelly Lee Owens released a first self-titled album last year and it felt extremely timeless. She represents something really current to me - fresh and inspiring, creative and humble. Her album means a lot to me.

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If you could support any musician alive today, and choose your own rider, what would that entail?

If I could open for PJ Harvey with a full-on raclette party in my dressing room that would be perfect.

What advice would you give to new artists coming through?

Don’t think about the top of the mountain but think about the progression.

Do you have tour dates coming up? Where can we catch you play?

Yesss. I am playing in France and U.K. in the next few weeks:

24.10: Angers/Le Joker's Pub (FR.)

26.10: Brest/UBO (FR.)

27.10: Rennes/Le Bar’Hic (FR.)

27.10: Nantes/Le Bras De Fer (FR.)

11.11: Brighton/Rialto Theatre (U.K.).

How important is it being on the stage and playing your music to the people?

I love touring! It’s such a different approach from the studio and the songs are sounding so different. I think it’s important to have this feeling of sharing your melodies with people. Sometimes, when I sense that the audience likes the music, it makes me feel really emotional.

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IN THIS PHOTO: indi

Are there any new artists you recommend we check out?

I really like indi; a New Zealand artist. Halo Maud is a French artist and really capturing an amazing Neo-Psychedelia sound.

I also recently worked on a film project for an artist called Beverly Glenn Copeland. I feel he is new because people are just starting to discover his music. He is a seventy-four-year-old trans man who is embarking his first ever E.U. tour this November to promote an album made in the ’80s called Keyboard Fantasies.

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 IN THIS PHOTO: Halo Maud/PHOTO CREDIT: Andrea Montano

Do you get much time to chill away from music? How do you unwind?

I like taking long breaks to travel (if I can); preferably surrounded by nature. I try to nourish myself on new cultures and landscapes. I also go back to my parents’ place in the middle of nowhere in France to recharge.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Can you play this song by amazing French artist Flavien BergerBrutalisme

Merci.

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Follow Tiger Lion

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FEATURE: The Minor Fall, the Major Lift: How an Increase in Women Taking to the Guitar Is Good News and a Strong Message to Festival Organisers

FEATURE:

 

 

The Minor Fall, the Major Lift

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PHOTO CREDIT: @haleypowers/Unsplash

How an Increase in Women Taking to the Guitar Is Good News and a Strong Message to Festival Organisers

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THERE is debate as to whether the guitar is declining…

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 PHOTO CREDIT: @tenguyen/Unsplash

when it comes to popularity and appeal. Certainty, when it comes to the electric guitar; there have been some contradictions that make me wonder whether people are picking up the instrument. This article, from Digital Music News (May 2018), reported some worrying statistics regarding sales figures of the electric guitar:

Electric guitar sales have slipped 22.7% since 2008, based partly on decreased demand from younger buyers.  Surprisingly, acoustic guitar sales are a totally different story.

Last year, the Washington Post reported that electric guitar sales had plummeted 33% in the past ten years, from 1.5 million units annually to 1 million currently.  Now, there’s more data showing a precipitous decline.

According to data shared by Music Trades, which tracks annual instrument sales in North America, electric guitar sales slipped 22.7% over the past decade.  The report counted sales of 1.452 million guitar sales in 2008, a figure that had slipped to 1.123 million units in 2017.

Ironically, the report was shared by a representative of Guitar Center, who sent the report to show a sales increase over the past year.  But that increase appears temporary, with the broader trend since 2008 showing a clear decline”.

Another article, from Rolling Stone (May 2018), looked at the continued desire for the guitar and how the market is quite strong:

Guitar sales in many markets are on the rise, and the industry is in one of its more optimistic times. A report from research firm IBISWorld, which tracks guitar manufacturing in the U.S., shows consecutive growth in the last five years and a projected upswing through at least 2022. Even if today’s music fans are more likely to worship pop stars and rappers than their parents’ guitar heroes, there’s little to indicate that the guitar’s reign is over – and there might actually be more to show the opposite…

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PHOTO CREDIT: @labandestyle/Unsplash 

Just because hip-hop and pop are ascendant in the streaming age doesn’t mean there aren’t thousands of guitar bands recording and gracing concert stages every year, from newcomers like Empath to modern mainstays like the National. It does mean, however, that guitar makers have to find new customers. As the charts and stages change guard, companies are also stepping outside of a demographic upon which they relied for decades – white, male buyers – to ask themselves: Who were they missing all this time? 

When Fabi Reyna first started She Shreds, a magazine for female guitarists, five years ago, few in the industry paid attention. But now – with those old guitar heroes exiting the zeitgeist and Taylor Swift and her ilk drawing massive crowds of female fans and imitators – instrument-makers are taking notice of a huge audience they’d ignored. Guitar-wielding women, from Lucy Dacus to Soccer Mommy to 19-year-old Lindsey Jordan of Snail Mail, have made some of this year’s most remarkable albums. Perhaps the enormous potential had been there all along”.

It is true there are fewer guitar/music shops of the high-street but there are plenty of online sites selling guitars - and you cannot really substitute electronics and apps for a real instrument! The reason I am bringing this subject up is a report that states women are responsible for 50% of guitar sales!

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 PHOTO CREDIT: @foulsterr/Unsplash

Not only are we still buying guitars and bands/artists are picking them up and continuing a noble tradition; women – who formed the minority of consumers until fairly recently – now make up half of the market. Before I present my findings/impressions; here us how The Guardian reported the news:

From singers to drummers, roadies to rock critics, music is an industry still overwhelmingly dominated by men – but perhaps not forever. A new study of those taking up the guitar has found that half of new learners are women and girls, suggesting that the future of rock, metal and indie might just be 50% female.

The survey by the guitar manufacturer Fender found that in the US and UK, a phenomenon it had originally assumed was a short-lived blip inspired by the popularity of Taylor Swift was in fact enduring and worldwide.

Similar results from a previous, smaller study in 2016 had initially been ascribed to the “Swift factor”, Fender CEO Andy Mooney told Rolling Stone magazine.

“In fact, it’s not. Taylor has moved on, I think playing less guitar on stage than she has in the past. But young women are still driving 50% of new guitar sales. So the phenomenon seems like it’s got legs, and it’s happening worldwide.”

Fender’s UK team had been surprised that half its sales were to girls and women, he said, “but it’s identical to what’s happening in the US”.

Following the previous US study, Fender changed its tactics to target millennial women, launching a new range of guitars in 2016 and enlisting the female-fronted indie bands Warpaint and Bully in its marketing campaigns…

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PHOTO CREDIT: @brinnafair/Unsplash

Almost three-quarters (72%) of those picking up the guitar did so because they wanted to gain a life skill or better themselves, according to Fender’s survey of 500 new and aspirational guitarists, with 42% saying they viewed the guitar as part of their identity”.

One of the problems with the guitar market is patience and people dispensing with them after a year. Many pick them up with ambition and intention but, soon enough, they get distracted and take up other pursuits. There has always been this impression women lust after musicians and are not that interested in playing. That perception is flawed and, in fact, the reason for this resurgence and parity is women/girls wanting to follow in the footsteps of their idols and adding their voice to music. Maybe the electric guitar is less healthy, in terms of sales, than the acoustic but the fact there are now as many women as men picking up guitars is a great thing! Reports suggest that our consumers are more private than those in the U.S. Maybe there are more overt guitar players there and, perhaps, the impression one gets from the U.K. is of the acoustic guitar-wielding musician who wants to noodle and experiment on their own. That old perception of men picking up guitars to start a band is no longer the standard.

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 IN THIS PHOTO: Pearl Jam in 1991/PHOTO CREDIT: Getty Images

I think history and stereotypes have blurred the market. We hark back to decades like 1990s when a raft of blokes were keen to ape the likes of Nirvana, Pearl Jam and that sort. They would head to the guitar shop with their girlfriends and they would buy a guitar – it would usually be electric and cranked right up! The fact the Rock/Alternative band market has shifted and shrunk since then means other genres are taking over. Artists like Taylor Swift were responsible for a wave of young women picking up the guitar but, even though she is less influential now, there are new artists keeping that flame alight! There are people I have heard from who still feel, if they are shopping for guitars with their boyfriends/husbands; the sales assistant will ask the man what they want – assuming it is he who is buying and his other half is there to hold his wallet! Things have, thankfully, moved on and the fact music is wider and more electric than ever means things are altering. There are more independent and unsigned artists coming through - and most of the very best, in my view, are women. Solo artists like Laura Marling and St. Vincent are gathering huge acclaim and, as such, women/girls are seeing these role models they can relate to and who, in turn, are shouting for women and showing how good they are! There have always been iconic female guitar players but I think more and more are coming to the mainstream.

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 IN THIS PHOTO: Goat Girl/PHOTO CREDIT: Jack Minto for Wonderland

I am a big fan of bands like Goat Girl and HAIM and others such as Wolf Alice - where there are female leads and these gnarly, powerful figures. To my mind, Anna Calvi is one of the best guitarists in the world right now. I have seen videos of her playing her favourite riffs and she can take on the likes of Jimi Hendrix with ease and passion. Her albums are filled with great licks and riffs and, whilst she is softly-spoken and fairly shy; her music is speaking volumes and inspiring a new generation of female players who are finding much to love – even if they might take a few years to match Calvi and her chops. Similarly; St. Vincent is a great and varied player who matches her guitar skills with fantastic and colourful songs. Whereas blokey bands of the past inspired men to pick guitars up and thrash; a rise in strong female musicians using their guitar as a social and political women is having a profound and immediate effect. It is not only the big and bold female artists who are responsible for an uptake. Folk and Pop are still influential but perhaps artists like Taylor Swift do not hold as much sway as they did a couple of years back. More and more all-female/female-led bands mean electric guitars are still burning bright whilst many great Folk/solo female artists are compelling a love of the acoustic guitar!

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 IN THIS PHOTO: St. Vincent/PHOTO CREDIT: Getty Images

The article from The Guardian has a theory as to why more women are picking up guitars these days:

To the music critic Caroline Sullivan, the increase in women taking up guitar might be explained by millennial women wanting to play an assertive instrument “whose whole basis is: look at me”.

“It doesn’t surprise me that a lot of young girls are taking up the guitar, because playing guitar seems much cooler and more dominant than doing the traditional female thing of standing behind a keyboard looking pretty”.

I saw this balance and resurgence coming off of the back of negative talk around guitars. Reports of manufacturers seeing declining demand and music stores closing their doors; many assumed the guitar was being replaced by electronic avenues and other instruments. The fact a lot of new artists are using synths, keyboards and handheld technology to make their sounds does not mean the music world has changed so much the guitar has no places. Maybe mansplaining and that sexism surrounding the guitar has caused a bit of a rebellion and fu*k-you attitude. Los Angeles Magazine, earlier this year, explained how women are saving the electric guitar:

For Fender—and for other guitar companies, as well—young players like Creevy and Faye represent the future of the instrument. Like many other industries in the #MeToo era, guitar makers are retooling their images. The effort hasn’t necessarily been fueled by accusations of sexual harassment or misogyny, though the business has no shortage of either—just ask any female musician who’s endured the mansplaining of a guitar showroom clerk. Instead manufacturers are taking cues from the fresh economic reality, revealed by Fender market research, that half the purchasers of new guitars are now women”.

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 IN THIS PHOTO: Anna Calvi/PHOTO CREDIT: Getty Images

It reported how, in spite of mainstream radio playing fewer guitar-based songs/artists; many are taking guidance from underground music and festivals. Maybe that absence and lack of a guitar mainstream means new musicians are trying to revive it and add their own imprint. In any case; men are not the biggest market and, it seems, we will have to stop worshipping the ageing shredder and start embracing the younger female icon. Returning to the previous article and it seems like misconceptions and male-defined impressions of what a guitarist should be has created this misconception regarding the electric guitar and its ‘decline’:

So why all the pessimism about the electric guitar? “To me that narrative—‘Is the electric guitar going away?’—is really, ‘Is my definition of what’s awesome about the electric guitar going away?’” says Anna Bulbrook, founder of the women-led L.A. music festival and community Girlschool.

“According to Bulbrook, much of the romance surrounding the electric guitar for decades was centered on the image of the “shredder,” a highly technical, flashy player who was nearly always a man. There are a few notable exceptions—Lita Ford, Nancy Wilson—but people are more likely to namedrop Eric Clapton, Jimi Hendrix, Eddie Van Halen, or Jimmy Page. But such a “male definition of what it means to look and act like a guitarist” was always more limiting than the possibilities of the instrument itself—and it ignored much of the guitar’s history in American popular music, where players like country star Maybelle Carter and recent Rock and Roll Hall of Fame inductee Sister Rosetta Tharpe pioneered its use as a lead instrument.

“I understand canonizing some of the greatest shredders of all time,” says Bulbrook, who also fronts her own band, the Bulls, and plays violin in the Airborne Toxic Event. “But I would argue most of the guitarists people look up to now aren’t 65-year-old aging rock gods. Music has shifted a lot”.

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PHOTO CREDIT: @lechonkirb/Unsplash 

I don’t think we can look at modern music and think about it the same way we did years ago. In terms of what a guitar player is and what ‘guitar music’ is about; it is not a binary market. There are so many genres and sub-genres that are seeing more women have a say and the market, as such, take note. Women have always been at the forefront of the guitar epoch. The media’s fascinating with male bands and that ‘epic shredder’ has caused a lot of problems but now, with the market as varied and open as ever, perceptions are starting to change. My greatest hope is that this equalisation and new finding leads to more festivals booking women as headliners. A lot of festivals are providing a big platform for female artists on lesser stages – dedicated to new talent and undiscovered artists – but what of the headline stages?! Take a look at the Reading and Leeds line-ups and, for the past few years, it has been dominated by men. This year’s event saw a lot more women come into the pack – and genres other than Rock – but it was the men who were on the main stages. Look at the last decade of Glastonbury headliners and how many of them are women?! You would be hard-pressed to find a year when there have been more women headlining than men and the headliners of 2017 – Ed Sheeran Foo Fighters and Radiohead – show how the big festivals are still obsessed by Rock bands, mainstream artists and obvious names. Reading and Leeds had Kings of Leon playing – how many years since they were relevant?! – and some of the more washed-up and obvious artists.

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 IN THIS PHOTO: Foo Fighters/PHOTO CREDIT: Ed Miles/NME

If I were running a big festival like Glastonbury; I would look at the news regarding an equal gender split in regards guitar buying and look at the catalysts. Who are the modern artists driving this revival?! I have mentioned Anna Calvi and St. Vincent and, for my money, both would make epic Glastonbury headliners – the latter stands out as a particular must-book! Bigger Pop and Alternative artists like Florence and the Machine and Christine and the Queens, whilst not known for their guitar-based songs, have edginess and attitude that women want to replicate through the guitars. We mustn’t assume women are only listening to women. The rise of bands like IDLES have many female fans who are influenced by their work and want to follow suit. I would book St. Vincent for Glastonbury and feel she would go well alongside Beyoncé. Again; Queen Bey is not known for her shredding but her songs are filled with energy, strut and empowerment. Whilst the likes of Madonna have been speculated and mentioned regarding Glastonbury headliners it seems, sadly, the clichés still apply. I mentioned how have to overlook the male Rock gods and embrace female artists but two names who seem Glastonbury favourites, Bruce Springsteen and Sir Paul McCartney, are part of that scene! Sir Elton John and Fleetwood Mac have been mentioned as possible and only one of these names has any female members – Stevie Nicks and Christine McVie would make a welcome change and a showing from Fleetwood Mac would be welcome! Arctic Monkeys, IDLES and The Strokes have been named and I feel, sadly, it will be a male majority for headliners!

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 PHOTO CREDIT: @kristsll/Unsplash

Whilst I am not suggesting an all-female headline line-up – that would be good, through – I fear it will be all-male and a repetition of nearly every previous year. Big artists like Beyoncé, Taylor Swift and Kylie Minogue are rumoured as possibilities but look at the bookies’ odds and it is mostly male. Although Fleetwood Mac and Madonna are high in the running; it is your usual blokes who are filling most of the higher places – everyone from Arctic Monkeys and Billy Joel to Kendrick Lamar. Kendrick Lamar, in fact, is an clear favourite for most bookies and I wonder whether he has already got the call. I would love to see Madonna, Beyoncé; St. Vincent and Fleetwood Mac considered but I have that nagging feeling Glastonbury will crap-out again. I digress a bit but this good news regarding an equal split of male and female guitar buyers should give indication to festivals that more women, and women who play guitars, need to be on the headline stages and keeping this momentum going! I am glad there is this acceleration of female guitar buyers and I think we will see more and more girls/women boosting those figures! Gone, let’s hope, are the days when people assume women are best left away from a guitar and it is a male market. Given these new findings; I hope all this positivity and parity means it will be reflected in festival line-ups! There are some improvements coming in but, in terms of headliners, festivals are woefully negligent about proffering women! Let’s change this sooner rather than later and accept the fact there is this new generation of female musicians who deserve a big stage! Whilst I hear the empathic guitar string ring out in celebration and recognition; my wish is this sound reverberates and echoes in the ears…

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 PHOTO CREDIT: @skywarden/Unsplash

OF those looking for great festival headliners.